{"id":116719,"date":"2025-06-16T03:03:46","date_gmt":"2025-06-16T03:03:46","guid":{"rendered":"https:\/\/www.irakezen.nl\/du\/video-waarom-kostuum-de-sleutel-is-in-het-filmische-universum-van-wes-anderson\/"},"modified":"2025-06-16T03:03:46","modified_gmt":"2025-06-16T03:03:46","slug":"video-waarom-kostuum-de-sleutel-is-in-het-filmische-universum-van-wes-anderson","status":"publish","type":"post","link":"https:\/\/irakezen.nl\/du\/video-waarom-kostuum-de-sleutel-is-in-het-filmische-universum-van-wes-anderson\/","title":{"rendered":"Video: waarom kostuum de sleutel is in het filmische universum van Wes Anderson"},"content":{"rendered":"<p><\/p>\n<div data-editable=\"description\">\n<p>Van verrekijker tot zweetbanden, de personages in het filmische universum van Wes Anderson dragen hun persona&#8217;s &#8211; soms letterlijk &#8211; op hun mouwen. Adam Woodward, filmcriticus en auteur van &#8220;The Worlds of Wes Anderson&#8221;, breekt enkele van de belangrijkste kostuums in het archief van de filmregisseur af en legt uit waarom de keuze van het passen in zijn laatste, &#8220;The Phoenician Scheme&#8221;, is beladen met subtekst.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Van verrekijker tot zweetbanden, de personages in het filmische universum van Wes Anderson dragen hun persona&#8217;s &#8211; soms letterlijk &#8211; op hun mouwen. Adam Woodward, filmcriticus en auteur van &#8220;The Worlds of Wes Anderson&#8221;, breekt enkele van de belangrijkste kostuums in het archief van de filmregisseur af en legt uit waarom de keuze van het &hellip;<\/p>\n","protected":false},"author":38,"featured_media":116720,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[151],"tags":[],"_links":{"self":[{"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/posts\/116719"}],"collection":[{"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/comments?post=116719"}],"version-history":[{"count":0,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/posts\/116719\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/media\/116720"}],"wp:attachment":[{"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/media?parent=116719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/categories?post=116719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/tags?post=116719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}