{"id":118361,"date":"2025-06-28T03:29:02","date_gmt":"2025-06-28T03:29:02","guid":{"rendered":"https:\/\/www.irakezen.nl\/du\/glastonbury-2025-vrijdag-met-de-1975-lorde-busta-rhymes-en-meer-zoals-het-gebeurde-glastonbury-2025\/"},"modified":"2025-06-28T03:29:02","modified_gmt":"2025-06-28T03:29:02","slug":"glastonbury-2025-vrijdag-met-de-1975-lorde-busta-rhymes-en-meer-zoals-het-gebeurde-glastonbury-2025","status":"publish","type":"post","link":"https:\/\/irakezen.nl\/du\/glastonbury-2025-vrijdag-met-de-1975-lorde-busta-rhymes-en-meer-zoals-het-gebeurde-glastonbury-2025\/","title":{"rendered":"Glastonbury 2025: Vrijdag met de 1975, Lorde, Busta Rhymes en meer &#8211; zoals het gebeurde | Glastonbury 2025"},"content":{"rendered":"<p><\/p>\n<div id=\"liveblog-body\"><span class=\"dcr-90inr0\"><gu-island name=\"KeyEventsCarousel\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;keyEvents&quot;:({&quot;id&quot;:&quot;685f39fa8f087443bddc73ff&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;We\u2019re winding this here liveblog down. It\u2019s been an action-packed first day on Worthy Farm, and tomorrow looks set to be even bigger. See you bright and early!&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;45e4bed8-b20c-4f0d-aabe-bacc26cbd353&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751071226000,&quot;blockCreatedOnDisplay&quot;:&quot;20.40\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751071643000,&quot;blockLastUpdatedDisplay&quot;:&quot;20.47\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751071321000,&quot;blockFirstPublishedDisplay&quot;:&quot;20.42\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;20.42&quot;,&quot;title&quot;:&quot;Ta ra&quot;,&quot;contributors&quot;:(),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685f072c8f087443bddc730f&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;I don\u2019t know if I\u2019ve ever seen the Park stage so packed as for Self Esteem, just after 9pm on Friday \u2013 the crowd is so dense, it makes joining in on the fringes impossible, forcing you ever higher up the hill just to be part of the show.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;ea189b04-96e4-4ba8-b6e7-16baef7c7cc9&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Clearly word has spread of Rebecca Lucy Taylor\u2019s commanding stage presence: her show at the Woodsies tent a few years ago, promoting her breakout album Prioritise Pleasure, was one of the most joyful I\u2019ve ever experienced at a Glastonbury, really bringing to life the community around the festival but also that album in particular.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;2e62898a-73da-4b8b-9017-6176251d605d&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Tonight Taylor is back with another album under her belt, A Complicated Woman. She\u2019s an imposing presence on stage, wearing the Amish-style robes and headdress and flanked by a crew of backing dancers dressed the same, and singing I Do and I Don\u2019t Care with its arresting refrain: \u201cIf I am so empowered, why I am such a coward?\u201d&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;64a02e80-73f4-4e21-9d94-e04c7c451fdf&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The show is relatively high-concept and tightly choreographed, as fans will have come to expect of Taylor, but with a darker aspect than Prioritise Pleasure. Through Lies, a drone flying above the crowd adds to the implied menace. Taylor corners the camera and contorts her grin, mocking the pliant, less complicated woman the world would supposedly prefer her to be. When she concludes the song, crouched on the stage, she looks briefly a bit knackered, then drops the stony-faced act. \u201cThank you,\u201d she says cheerily. \u201cThis is a song called 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Esteem playing The Park Stage at Glastonbury.&quot;,&quot;caption&quot;:&quot;Self Esteem playing The Park Stage at Glastonbury.&quot;,&quot;credit&quot;:&quot;Photograph: Alicia Canter\/The Guardian&quot;}},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The song, about Taylor\u2019s lack of enthusiasm for that particular sex act and consideration of its relative merits against others, is greeted by childish oooohs from the crowd and even laughs. I admit it\u2019s an instant skip for me when I\u2019ve listened to the album at home, but live, Taylor\u2019s deadpan delivery is entertaining and a welcome lift through the otherwise frequently straightfaced setlist.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;8793b0e6-6984-42c3-b241-7897a9c2edd6&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;In another seamless transition, with call and response with her dancers, Taylor is helped out of her robes revealing all of them to be wearing rugby jerseys. (Her number is of course 69.) As with the Prioritise Pleasure tour, there\u2019s a real cleverness to the staging. Through You Forever, the first full-throated singalong of the set with its rallying chorus of \u201cyou need to be braver\u201d, Taylor runs drills with the rest of her team.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;0a5b870d-3310-4a71-81e2-af707cafa477&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The highlight from A Complicated Woman, tonight as on the album, is The Curse, which finds Taylor relatively alone on the stage with a guitar, cursing, in another stirring outro, the depressing predictability of a relationship past its best: \u201cI wouldn\u2019t do it if it didn\u2019t fucking work.\u201d&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;fd3f5ca6-a079-4a33-b4cd-2d2c16dc4022&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;But it is undeniably the songs from 2021\u2019s Prioritise Pleasure, notably the title track and Fucking Wizardry, that draw the most enthusiasm from the crowd. Many of them know every word \u2013 and these are very wordy songs \u2013 and really seem to get something out of shouting them to the sky. It\u2019s stirring, serious-minded yet still upbeat.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;6efc1b5a-01fd-49c3-a145-59cd29068bdc&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751058220000,&quot;blockCreatedOnDisplay&quot;:&quot;17.03\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751067641000,&quot;blockLastUpdatedDisplay&quot;:&quot;19.40\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751067381000,&quot;blockFirstPublishedDisplay&quot;:&quot;19.36\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;19.36&quot;,&quot;title&quot;:&quot;Self Esteem review&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Elle Hunt&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2019\/09\/03\/Elle_Hunt.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=56099c7b5bffed8a23adc560279a8a36&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2019\/09\/03\/Elle_Hunt,_L.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=2402ba5a4d73a4a175942a401662daa5&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685f25e38f08ac61dea2f8d7&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Loyle Carner\u2019s new album &lt;a href=\\&quot;https:\/\/www.theguardian.com\/music\/2025\/jun\/19\/loyle-carner-hopefully-review\\&quot;&gt;Hopefully!&lt;\/a&gt; is the kind of thing you\u2019d stick on after the kids have gone to bed: an introspective study of newly 30-something angst and hope, to be pondered over with a whiskey or a joint. Not, then, the type of thing you\u2019d maybe put on as a headliner on Glastonbury\u2019s second biggest stage \u2013 and yet this is a masterful booking and bit of counterprogramming, pure soul to offset the 1975\u2019s knowingly corroded spirit.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;bfafbfd6-b308-4578-bea2-90def3371ca9&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Glastonbury are to be roundly praised for every so often \u2013 as they did with Stormzy \u2013 giving an artist a stage they have to prove themselves on a little; believing in British brilliance and pushing it into a brighter BBC spotlight than they\u2019re used to. Carner rises to the challenge, with perfect mic technique, staying about 1% behind the beat to give it that Dilla-time swing, plus clever visuals \u2013 an overweening HD camera attached to his mic stand picks up every pore of his face and bend of his lips on the mic. It weirdly continues a lineage from Busta Rhymes before him on this stage, recalling the fisheye lens of Hype Williams\u2019s videos.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;be920fac-a9a1-46a4-a396-88b275748b3f&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Played by an accomplished, relaxed band, tracks like Yesterday are done as classy boom-bap with bulbous funk basslines; new song Horcrux has a shuffling high-tempo jazz beat, somewhere between junglism and the neo-afrobeat of Ezra Collective. On another new song, Lyin, Carner says \u201cthis is only the fourth time in my life I\u2019ve sung in front of some people I don\u2019t know\u201d, and he keeps his voice low and withholding, lit with a brighter vocal line by his backing singer and guitarist. There are some starry guests: Carner and Sampha sit side by side, trading wisdom on Desoleil (Brilliant Corners), while Jorja Smith uses the lofty, pretty end of her register on Loose Ends, Carner segueing seamlessly out of it into Ice Water, dancing across the face of difficult terrain. Throughout he\u2019s a square peg of a man: sharp and clean, bumping through a world of boringly smooth edges. Maybe he doesn\u2019t always fit in, but he doesn\u2019t file down the edges that make him who he is. \u201cYou did it for money \/ I did it because\u201d, he raps at one point \u2013 he\u2019s clearly doing this purely for the joy of self-expression.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;e779a437-1d2d-4305-a688-667a989ff2a2&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751066083000,&quot;blockCreatedOnDisplay&quot;:&quot;19.14\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751067104000,&quot;blockLastUpdatedDisplay&quot;:&quot;19.31\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751067104000,&quot;blockFirstPublishedDisplay&quot;:&quot;19.31\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;19.31&quot;,&quot;title&quot;:&quot;Loyle Carner review&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Ben Beaumont-Thomas&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/static\/sys-images\/Guardian\/Pix\/contributor\/2015\/2\/20\/1424452686624\/Ben-Beaumont-Thomas.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=827f81343088ff1e0d03b2a42d89bbd7&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2017\/10\/06\/Ben-Beaumont-Thomas,-L.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9b9f1267e276fe4e6e03adbd1676ca24&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685f1ece8f080e7749712b9e&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The Four Tet renaissance is well and truly underway. From his 2023 impromptu Coachella headline set with Skrillex and Fred Again to the ever-presence of his speed garage track Looking at Your Pager on dancefloors throughout 2024 and beyond, Kieran Hebden is currently having his (second) moment.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;d8849f56-6928-4882-99d8-50a4758866a8&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;For those who might have seen a Four Tet DJ set a decade ago, his Friday night headline slot at the Woodsies tent will be a surprise. Gone are the ambient-adjacent buildups and lengthy mixdowns into mid-tempo house, instead Hebden now opens with the melodic house and only proceeds to crank up the energy from there. Balearic melodies give way to the booty-shaking bass of 2020\u2019s Baby and its skittering Fred Again remix before sliding into moody breakbeats and four-to-the-floor chugging rhythm.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;b2ba9e62-7b7b-4b3b-8572-7b995e3c3877&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Hebden\u2019s mixing is spotlessly clean and seamless, reaching peak time euphoria an hour in with a swift cut into uptempo edits that reference the twinkling melodies of his 2003 breakthrough album Rounds. From here, he breaks loose for a final quarter-hour, veering from shuddering grime instrumentals to bass-driven two step. It\u2019s a short but sweet ending, proving that Hebden\u2019s newly energised Four Tet era is deeply engaging and enticing \u2013 if only he had double the time, we could truly see what he is now capable of.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;22b1466a-dc3d-493b-b013-66ba7d363a3f&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751064270000,&quot;blockCreatedOnDisplay&quot;:&quot;18.44\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751064666000,&quot;blockLastUpdatedDisplay&quot;:&quot;18.51\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751064667000,&quot;blockFirstPublishedDisplay&quot;:&quot;18.51\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;18.51&quot;,&quot;title&quot;:&quot;Four Tet review&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Ammar Kalia&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2019\/08\/08\/Ammar_Kalia.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7b646b9f66b225fd21e19a22e699e7c0&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2019\/08\/08\/Ammar_Kalia.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7d475fb8a3d48e776369ce8dd751dfc1&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685f11fc8f087443bddc734b&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Sam Shepherd, AKA Floating Points, has a sizeable presence at &lt;a href=\\&quot;https:\/\/www.theguardian.com\/music\/glastonbury-2025\\&quot; data-component=\\&quot;auto-linked-tag\\&quot;&gt;Glastonbury 2025&lt;\/a&gt;. Not only is he playing a packed-out Woodsies tent before regular b2b pal Four Tet takes to the stage but this year he has also brought his own Sunflower Soundsystem with him to the festival site. Housed in a white dome in the Silver Hayes area, the Sound System has fast become one of the weekend\u2019s hot tickets, delivering unannounced sets and queues looping far into the surrounding field.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;cecf4226-4094-4b69-8ee0-c8439eb37ed2&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Away from the boutique confines of Sunflower, though, Shepherd\u2019s live set on the Woodsies stage is a thumping display of dancefloor hedonism. Ensconced behind his boxy rig and flanked by two artists live projecting visual constellations, he opens the set with blooping modular synth melodies, calling back to his signature 2010s sound, before moving into live renditions of the hammering house and techno from 2024\u2019s latest release Cascade.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;661190da-6b41-4961-bde4-ea9ab671c931&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Launching into the Donna Summer I Feel Love references of Birth4000, Shepherd keeps the energy up for a full hour, gradually increasing tempo and seemingly volume to produce a chugging selection of blown-out synth beats. The build-ups and breakdowns are masterful, eliciting roars of approval from the head-nodding crowd as he wrangles experimental scrapes and squeals of sound into cohesive beats, ultimately closing on the euphoric rave breaks of Tilt Shift. As the speaker stacks feel close to the verge of blasting, Shepherd cements his status as a producer capable of big room release as much as analogue introspection.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;40c9aa7b-74ba-40cf-8e86-48cdf29f13ca&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751060988000,&quot;blockCreatedOnDisplay&quot;:&quot;17.49\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751062123000,&quot;blockLastUpdatedDisplay&quot;:&quot;18.08\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751062123000,&quot;blockFirstPublishedDisplay&quot;:&quot;18.08\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;18.08&quot;,&quot;title&quot;:&quot;Floating Points review&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Ammar Kalia&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2019\/08\/08\/Ammar_Kalia.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7b646b9f66b225fd21e19a22e699e7c0&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2019\/08\/08\/Ammar_Kalia.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7d475fb8a3d48e776369ce8dd751dfc1&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685f09fd8f08ac61dea2f854&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The magic of Glastonbury is that I could\u2019ve gone my whole life not seeing Busta Rhymes perform without giving it a second thought, and now having seen him I don\u2019t know how life could\u2019ve been complete without it.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;3c409e76-745b-4870-89b6-6cc5a9fcb97a&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Rhymes is not alone for this performance; he reunites with former members of hip-hop collective Flipmode Squad, Spliff Star and DJ Scratch, Spliff entering the stage before him letting us know that \u201cthe dragon has now been summoned\u201d (a visual of a dragon flying across London and mounting Buckingham Palace before breathing fire on to the city is displayed on screen). Coming on in a black T-shirt and wearing a big-ass chain, Rhymes launches into truly frenetic and explosive performances of What It Is, Ante Up and Put Your Hands Where My Eyes Could See. You cannot ignore the speed and complexity and breath control required for much of Rhymes\u2019s discography. In terms of beats-per-minute, delivery of his speediest rap verses could frustrate even the most agile, stamina-resilient rappers. Yet, four decades into his career, he never pauses for breath or misses a beat.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;68e99b76-8082-4ad6-acd3-3064d96dcdd2&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The show is also absolutely hilarious, and the interaction with the crowd is gold standard. Spliff instructs them to wave their hands in the air so often that it starts to feel like a trial session for a hip-hop aerobics class. At one point Rhymes instructs the whole audience to put their hands up, saying \u201cpolice, this is the one time we can tell you to put your fucking hands up in the air too!\u201d. 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Star and Busta Rhymes on the Other Stage&quot;,&quot;caption&quot;:&quot;Spliff Star and Busta Rhymes on the Other Stage&quot;,&quot;credit&quot;:&quot;Photograph: Jonny Weeks\/The Guardian&quot;}},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;When he comes out again for Touch It, he and Spliff are dressed like a cross between power rangers and racecar drivers. 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Rhymes and Spliff constantly talk about taking you back to the past, to 2000, to 1992, to 1984; Spliff even acts out how breakbeats for tracks are made, \u201cput the beat on the record, then he cut it\u201d which instantly brings you into a vigorous performance of Here We Go Again.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;34d97f0b-8698-44e8-94d3-e5438fe6c556&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;So too do the Jamaican origins of hip-hop culture, with its sound systems and toasting, come through in the performance: Hip-Hop pioneer DJ Kool Herc was a Jamaican immigrant in the Bronx after all, and Rhymes\u2019s remix of Make It Clap honours these roots.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;354b658a-fad8-4b52-b73d-6f5b98428ef7&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;And then there is the wonderful random moment of bravado, where they make the whole crowd sing We Are the Champions. 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He is certainly lucky to be here, but we are even more lucky for having seen the both of them.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;ebeaff00-a7e3-4d6a-91d3-1b048961f6b0&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751058941000,&quot;blockCreatedOnDisplay&quot;:&quot;17.15\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751060013000,&quot;blockLastUpdatedDisplay&quot;:&quot;17.33\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751059968000,&quot;blockFirstPublishedDisplay&quot;:&quot;17.32\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;17.32&quot;,&quot;title&quot;:&quot;Busta Rhymes reviewed&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Jason Okundaye&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/02\/20\/Jason_Okundaye.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e831313b7a659370829fa328b06165b2&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/02\/20\/Jason_Okundaye.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=559291c12697715ee6e2467b417f6188&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685f0b7f8f080e7749712b2c&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Matty Healy and his boys emerge, Healy swaggering on with a pint of Guinness, naturally. 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Instant History has an almost laughably simple chorus line of \u201cThis is the sound that we make\u201d \u2013 well, yes, it is. And yet they invest it with a sort of koan-like wisdom, paired with a melody that could power an EDM track. Living Is a Problem Because Everything Dies is a show of ultra-technical, highly drilled math rock mentalism, which suddenly handbrake turns into frontman Simon Neil doing a solo cover of the Beach Boys\u2019 God Only Knows. And then back again.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;a9043b62-1bba-465e-8a64-007c8d4b8670&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;They\u2019re Imagine Dragons with actual imagination, the Mumford and Sons with a fucken\u2019 guitar instead of a banjo. Many of Horror closes the set out, and its bridge of \u201cI still believe it\u2019s you and me till the end of time\u201d looks so lacking on the page \u2013 but there\u2019s such romance in the way Neil sings it.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;7fc030dc-623c-42c4-ab60-0f4bc67a53e7&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751057745000,&quot;blockCreatedOnDisplay&quot;:&quot;16.55\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751058335000,&quot;blockLastUpdatedDisplay&quot;:&quot;17.05\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751058335000,&quot;blockFirstPublishedDisplay&quot;:&quot;17.05\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;17.05&quot;,&quot;title&quot;:&quot;Biffy Clyro reviewed&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Ben Beaumont-Thomas&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/static\/sys-images\/Guardian\/Pix\/contributor\/2015\/2\/20\/1424452686624\/Ben-Beaumont-Thomas.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=827f81343088ff1e0d03b2a42d89bbd7&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2017\/10\/06\/Ben-Beaumont-Thomas,-L.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9b9f1267e276fe4e6e03adbd1676ca24&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685efa578f08ac61dea2f7eb&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The album of the summer is, without a doubt, PinkPantheress\u2019s Fancy That \u2013 a 20-odd-minute blitzkrieg of a mixtape that\u2019s loud, funny and somehow manages to squeeze six separate Basement Jaxx samples into its extremely brief runtime. Fancy That Pink\u2019s best body of work to date, and when she performs all of it for the first time at Woodsies, they\u2019re often the songs that the huge crowd reacts best to. When she launches into Illegal, the tape\u2019s cheeky, fleet-footed opener, the crowd absolutely screams the words back \u2013 a remarkable thing for a two-month-old mixtape.&lt;br&gt;&lt;br&gt;\\n This mutual love is paired with a bizarre but great stage setup: Louis Theroux, mystifyingly a friend of Pink\u2019s, has prerecorded a skit to introduce the show; Pink\u2019s nine-piece band includes brass players, backing singers, a beatboxer, and a besuited DJ who\u2019s dancing like he\u2019s taken a bunch of pills. 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lineup l-r; Basil Brush, James Acaster, Kerry Godliman, Lou Sanders, Richard Blackwood.&quot;,&quot;caption&quot;:&quot;Taskmaster lineup from left; Basil Brush, James Acaster, Kerry Godliman, Lou Sanders, Richard Blackwood.&quot;,&quot;credit&quot;:&quot;Photograph: John-Paul Nicholas\/The Guardian&quot;}},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;All of which makes it perfect Glasto fare, and given the fact that Horne is a permanent fixture here, and that there\u2019s a large stable of comedians to choose from as contestants, it\u2019s surprising that a live version has never been tried here before. 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Shortly after, he parked his career as an acclaimed MC to focus on his acting, where he found more mainstream fame through shows like Top Boy. But last year, he marked his musical comeback with his award-winning record Being Poor is Expensive \u2013 a deeply personal reckoning with his life in northwest London. His performance today feels like a fusion of all of his worlds: a collage-like tour through his own music and that which he grew up with, interwoven with compelling storytelling about his and his family\u2019s life.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;3154c3bc-0bcb-473e-8dde-77803d1b6327&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Over hip hop and grime instrumentals played by a DJ, Bashy addresses the social issues affecting Black British people and immigrants to a small but locked-in Lonely Hearts crowd. He raps about the plight of him and his friends \u2013 through systemic racism and council estate upbringings \u2013 with poise: when not pacing round the stage, he delivers his bars with eyes locked down, hand wrapped round the mic.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;3273022b-d765-4a5b-bed9-70130ce19898&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;In the breaks between songs, he proves his strength as an orator (tomorrow he\u2019s chairing a talk under the title of his album, featuring economist Gary Stevenson among others). 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Something\u2019s just not clicking.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;fafebdb7-3a14-4a0a-adb6-90e53ce45761&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;None of this is to say that the music is bad, either, just that there feels like some distance between her appeal and her discography. She comes on in a burgundy bandana and dress which reminds me of the red priestess from Game of Thrones, and she looks great, carrying with her a guitar with a star-spangled strap. Her ethereal vocals are splendid, an opening performance of Risk is particularly strong and striking for the line: \u201cI know the risk is drowning but I\u2019m gonna take it\u201d. 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Having been an outspoken critic of Donald Trump and joining in with anti-ICE protests in Los Angeles this month, she tells us: \u201cThe world is so wild and upsetting right now but I think being together like this is the whole point, it\u2019s the antidote.\u201d Sure, it\u2019s a bit of a Glastonbury cliche-platitude but it feels authentic. Equally she is good at the making the crowd feel at home with her - she is repeatedly thankful, waves excitedly, tells someone that she likes their hat, and when she introduces songs she speaks to familiar experiences, asking if anyone has ever dealt with a \u201cnarcissist\u201d before sitting down on a piano to play Death Wish.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;dbce31b9-605f-4862-ba19-1304e1b03b43&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;And again \u2013 the audience really connects with the music. Girls in the crowd are practically screaming at Free Now, and when she drops the guitar for the more uptempo Where Do We Go Now? the effect is enchanting.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;bac5eb3a-4d58-41e3-b385-45f37ba10d8d&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The issue is that I\u2019m not sure how much of this set I will really remember \u2013 I\u2019m convinced that Abrams\u2019 claim as one of the biggest pop stars of 2025 is justified, but what it rides off doesn\u2019t feel as significant as comparable breakthroughs. Perhaps a remedy for that is on the horizon: she introduces a track which she is \u201cworking on in real time\u201d and while I don\u2019t catch the name, it\u2019s an incredible synth-pop banger which feels more in the direction of what I would expect from an artist of this esteem. Close to You and That\u2019s So True are almost there, but not quite.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;052b0ace-4d98-4f90-bac3-f5a86a9579dd&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751049897000,&quot;blockCreatedOnDisplay&quot;:&quot;14.44\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751055130000,&quot;blockLastUpdatedDisplay&quot;:&quot;16.12\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751050619000,&quot;blockFirstPublishedDisplay&quot;:&quot;14.56\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;14.56&quot;,&quot;title&quot;:&quot;Gracie Abrams reviewed&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Jason Okundaye&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/02\/20\/Jason_Okundaye.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e831313b7a659370829fa328b06165b2&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/02\/20\/Jason_Okundaye.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=559291c12697715ee6e2467b417f6188&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685edab18f087443bddc71c9&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;After over 30 years of touring, there\u2019s no doubt En Vogue know what they\u2019re doing. After a dramatic entrance one by one, the iconic R&amp;amp;B group waste absolutely no time in getting into the hits. First up is the slinky, attitude-heavy anthem You\u2019re Never Gonna Get It, much to the delight of a crowd of mostly fortysomethings.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;58a46405-d5a6-4d80-904d-40af375aefb4&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;As expected, the four-piece don signature matching black outfits and perform synchronised diva choreo despite the 24C heat. Soon they snap open their matching \u201cooh bop!\u201d hand fans, which they clack open and shut to the beat.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;7258551f-074e-432f-a652-fb3afbdb3ff3&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;For the next half an hour or so, it\u2019s a carousel of En Vogue\u2019s best-known tracks, punctuated with the occasional \u201cHow we doing Glastonbury?\u201d. The songs sound as sensual and catchy as ever, despite any dated sentiments (Free Your Mind\u2019s \u201cbe colour-blind\u201d).&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;f981019d-9520-4038-b558-ecaac4bde747&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;They devote the second half to playing \u201csome good old funky diva music\u201d: think Cheryl Lynn\u2019s Got to Be Real, Grace Jones\u2019s Bad Girls, Aretha Franklin\u2019s Respect. A cop- out, maybe, but one that the crowd is overjoyed about; they belt along with enthusiasm. By the time they reach I\u2019m So Excited by the Pointer Sisters, it starts to feel a bit weary, though admittedly not to those around me.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;52714b04-43c2-4707-a43d-13bb14f6f37e&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;While they may sit firmly in legacy act territory, as performers En Vogue have absolutely still got it: their precision harmonies still top-notch, their dance moves sharp. They close with their 1990 hit Hold On, a good reminder of their strength as musicians in their own right too.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;5006ddee-1388-4bd7-9303-77d69293e370&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751046833000,&quot;blockCreatedOnDisplay&quot;:&quot;13.53\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751048633000,&quot;blockLastUpdatedDisplay&quot;:&quot;14.23\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751047920000,&quot;blockFirstPublishedDisplay&quot;:&quot;14.12\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;14.12&quot;,&quot;title&quot;:&quot;En Vogue reviewed&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Safi Bugel&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/11\/15\/Safi_Bugel.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5789cdfbada80d591dceb3febee1202d&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/11\/15\/Safi_Bugel,_L.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=53f210dc29da96886b36cbf5d58c0b4f&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685ed9ac8f087443bddc71c3&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Avalon, near the south-east corner of the festival, is the drunken wedding disco of the Glasto stages, programmed full of nostalgic acts designed to hit the pleasure centres of festival-goers of a certain age. It\u2019s a place where you can shout along to Chelsea Dagger or Terrorvision\u2019s Tequila without shame or judgment. Sure, you might have embarrassing memories in the morning, but God it\u2019s fun in the moment. And for the bands playing there, who might have slipped off the bills of Glastonbury\u2019s main stages thanks to changing times and tastes, it\u2019s a chance to be legends again for one night.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;ecd404ce-3938-43de-89bf-653ad2698320&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Ash don\u2019t fall under that category though, right? Surely they\u2019re still teenagers, forever smuggling hidden tracks of themselves throwing up into the track-listing of their debut album? Amazingly, it\u2019s 30 years since Tim Wheeler \u201cwalked out of his final school exam and two days later was playing at Glastonbury\u201d, as he remembers here. And it\u2019s 28 years since the band stepped in at the last minute, after Steve Winwood cancelled, to headline the Sunday night on the Pyramid. (As they remind us here, Billie Eilish is, contrary to popular belief, only the third youngest headliner of all time, behind Wheeler and the true No 1, Ash bassist Mark Hamilton).&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;00bf23b7-0063-4a7a-baad-20729e5a45d0&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Wheeler, Hamilton and drummer Rick McMurray may be far older today on the Avalon, but the songs remain perpetually teenage, full of lost love and youthful obsessions (Mr Miyagi; the X-Men). Though maybe those obsessions are unchanged: Wheeler is wearing a Nirvana T-shirt straight from a 1994 branch of Virgin Megastore and Hamilton has a Transformers sticker on his bass. (There\u2019s no shame or embarrassment at the Avalon, remember.)&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;14eb7ccc-2b2d-443f-99e1-24a7a83b4c9d&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Wisely, new songs are kept to a minimum: they stick almost exclusively to their imperial era, with the bulk of the tracks taken from albums 1977 and Free All Angels (plus the title track from Danny Boyle\u2019s A Life Less Ordinary, Ash\u2019s loudest, most lovelorn and best song). Oh Yeah still has a chorus worth blowing out your voice box singing along to, Burn Baby Burn and Girl From Mars retain the power to inspire fortysomething men to crowd surf. It\u2019s all topped off with a pop-punk cover of Harry Belafonte\u2019s Jump in the Line, a suitably wedding disco-ish gesture. 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Young at Woodsies.&quot;,&quot;caption&quot;:&quot;Lola Young at Woodsies.&quot;,&quot;credit&quot;:&quot;Photograph: Jonny Weeks\/The Guardian&quot;}},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;It is hard to think of a young British artist receiving a more undeservingly difficult ride from the public than Lola Young. The online mockery, particularly for daring to be erotic, is typically rooted in fatphobia; her career success has been dismissed as down to her aunt being Gruffalo books author Julia Donaldson, despite what limited influence that could actually have; and she had to issue a clarification about her \u201cresting bitch face\u201d for the sin of being caught looking unhappy at losing a Brit award to singer Jade. At Capital\u2019s Summertime Ball earlier this month, her earpiece failed mid-song and she became emotional, drawing further mockery (though received sympathy and kind words from fellow Brit school alum Raye).&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;3f0d7ff1-2834-4b94-9ef8-1b203a8dc9ed&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;That is to say, I have developed a soft spot and admiration for the British-Chinese-Jamaican south Londoner, not as pity, but because despite the constant brickbats she remains so passionately in love with music. Here she comes on to the Woodsies stage in a black bralet and long plaid shorts, playing the grungy sad girl as she performs Good Books, singing \u201cyou make it hard to see beneath the rubble\u201d. Her lyrics are so confronting of the lovers of her life; they make you think of failed romances, dickhead ex-boyfriends and the worst arguments you\u2019ve ever had.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;fe213c5d-f949-42ec-bc68-801961173c9d&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;These themes are so perfectly complemented by her husky, gravelly voice, though it is dulcet when she thanks the crowd for being here to witness her \u201cmagical moment\u201d at Glastonbury. And she\u2019s not afraid to lean into her own sex appeal: she slides down a microphone with her tongue centimetres from it, she happily plays with moving down her shorts and whines her waist, singing \u201cyou fuck me nice, you pull my hair\u201d.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;c568d7db-1f5a-4c9e-bb68-547b413bcb50&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;On Wish You Were Dead she is soulful and funky, while she adopts a punky riot grrl mall-rock sound on Don\u2019t Hate Me. What is so impressive about Young is the versatility in her voice \u2013 she uses a mixed accent, at times received pronunciation, at other times cockenyisms and then the kind of Multicultural London English especially found in south London, and it blends into one distinct rhythmic identity. Her spoken-word style, particularly in her performance of One Thing, is reminiscent of Kate Nash.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;87c3e6f3-67d0-4e5a-83e8-9efa21c16bfc&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;And she remains playful with her sexuality. She sings the titular song for her forthcoming album I\u2019m Only F**king Myself, and invites on a guest: a blow-up doll of herself, which features on the album cover. Female artists have recently come under heavy scrutiny for playing with sex and domination: Chappell Roan for dressing as a blow-up when she a judge on Drag Race, Sabrina Carpenter for her Man\u2019s Best Friend album cover. Young is more than happy to throw herself behind this particular aesthetic of feminist parody and subversion.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;60aa447e-521b-47b3-ba12-a51b6b320b04&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;I like that so much about Young \u2013 how audacious and bold and brave and provocative she is. When she closes out on her viral track Messy, which has the crowd rhapsodising and belting in unison, she says to them: \u201cDon\u2019t ever feel like you\u2019re not enough. You absolutely fucking are.\u201d You are too, Lola. More than. And I hope you never forget that.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;e7996579-1ce8-4fe5-8ac2-2ba766ec44e4&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751042723000,&quot;blockCreatedOnDisplay&quot;:&quot;12.45\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751045080000,&quot;blockLastUpdatedDisplay&quot;:&quot;13.24\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751043137000,&quot;blockFirstPublishedDisplay&quot;:&quot;12.52\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;12.52&quot;,&quot;title&quot;:&quot;Lola Young reviewed&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Jason Okundaye&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/02\/20\/Jason_Okundaye.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e831313b7a659370829fa328b06165b2&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/02\/20\/Jason_Okundaye.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=559291c12697715ee6e2467b417f6188&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 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Teasdale of Wet Leg.&quot;,&quot;caption&quot;:&quot;Rhian Teasdale of Wet Leg.&quot;,&quot;credit&quot;:&quot;Photograph: Anthony Harvey\/Shutterstock&quot;}},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Wet Leg have built a whole brand off their sardonic accounts of millennial life. There are lyrics about shopping hungover, shagging, and only showing up to parties because they heard there were beers there, all delivered in near-mumbly, disaffected vocals.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;54c8195b-47d7-41af-8493-fccbee5853a8&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Said vocals belong to frontwoman Rhian Teasdale, whose demeanour on stage this afternoon excellently captures that same bratty vibe. Sporting a little white two-piece with a rosette pinned to her short-shorts, she gives a real rock star performance to a sprawling crowd, while her newly expanded rhythm section (including her former co-lead Hester Chambers) crash through their back catalogue. As her voice slinks between deadpan and yodel-y, she crawls round the stage, pours cans of water over her head and repeatedly flexes her muscles. Though at the start it\u2019s a little unconvincing, soon it feels as though she\u2019s fully in control.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;9a7eea50-b543-419d-8fc9-eb42232cb0d6&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Showwomanship aside, the energy is steady throughout their set. Fan favourites like Your Mum and Mange Tout rile the audience up \u2013 and there\u2019s a few nice, slow moments of relief \u2013 new track Davina McCall, which Teasdale devotes to her partner, is especially lovely. But overall it\u2019s a bit samey: most of their tracks follow the same formula of big riff + punchy drums.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;c939f33e-1d64-4f1b-91de-decbac0a203e&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Of course, it\u2019s their best-known hit, 2022\u2019s Chaise Longue, which causes the biggest storm today, thanks to its ever-catchy hook and silly speak-sing vocals. So much so that there is a mass exodus after the track comes to a halt, which feels like a shame, because their closing track, the freshly released, siren-heavy CPR, promises the same anthemic potential.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;42d919d3-8d03-4639-bc2c-a542ce2489b9&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751042350000,&quot;blockCreatedOnDisplay&quot;:&quot;12.39\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751043040000,&quot;blockLastUpdatedDisplay&quot;:&quot;12.50\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751042547000,&quot;blockFirstPublishedDisplay&quot;:&quot;12.42\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;12.42&quot;,&quot;title&quot;:&quot;Wet Leg reviewed&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Safi Bugel&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/11\/15\/Safi_Bugel.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5789cdfbada80d591dceb3febee1202d&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/11\/15\/Safi_Bugel,_L.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=53f210dc29da96886b36cbf5d58c0b4f&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685ec5ad8f087443bddc70e1&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;By the time Leeds four-piece &lt;strong&gt;English Teacher&lt;\/strong&gt; grace the Park stage on Saturday afternoon, the audience looks a little worse for wear: it\u2019s scorching hot, the few shaded areas are rammed, and those who are braving the sun to stand up for the set are furiously rubbing sun cream into their shoulders.&lt;br&gt;&lt;br&gt;\\n At first, the band\u2019s gravely serious post-punk seems like a mismatch for this slightly lethargic crowd, but the set soon turns into something more diffuse and mellow, replacing standoffish angularity with a dry and mysterious dream-pop ambiance. It\u2019s this bit of the set that feels best placed for a day like this \u2013 practically psychedelically dusty \u2013 especially given that, just down the hill, Wet Leg are performing post-punk barnstormers that sound stridently similar to those made by English Teacher and a handful of other bands on the bill. Even so, frontperson Lily Fontaine is a hugely appealing presence, capable of selling even the band\u2019s less remarkable songs.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;50fc1ddb-fd7b-439b-928e-83a18e5847de&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751041453000,&quot;blockCreatedOnDisplay&quot;:&quot;12.24\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751042072000,&quot;blockLastUpdatedDisplay&quot;:&quot;12.34\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751041522000,&quot;blockFirstPublishedDisplay&quot;:&quot;12.25\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;12.25&quot;,&quot;title&quot;:&quot;English Teacher reviewed&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Shaad D'Souza&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2022\/10\/10\/Shaad_D'Souza.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=eb072ca5f67878f89b4bd3a5c0d28e13&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2022\/10\/10\/Shaad_D'Souza_Next_Gen.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1c457cde0e56e0f3a6a276c863d3a811&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685ec5098f080e77497128bb&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;In the corner of Glastonbury\u2019s dance area Silver Hayes, a stage called The Information is offering up a series of talks and roundtables touching on issues across the arts and sciences: everything from pollution in our rivers to the state of the hospitality industry. And, tomorrow, Gary Lineker.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;ef70401d-9a5c-44a2-b5d4-c62bd21c1ac7&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;This afternoon, a conversation titled &lt;strong&gt;We Shouldn\u2019t Be Here&lt;\/strong&gt; hosted a star-studded panel discussing the challenges faced by Black creatives in the arts. The conversation was arranged by Black@Glasto, a group dedicated to uniting Black Glastonbury-goers that has opened a dedicated space at the festival this year.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;55888f23-e8f8-48f1-b6c8-692afe2a24ff&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Comedian Munya Chawawa, who put together the panel, was joined by actor Paapa Essiedu, menswear designer Foday Dumbuya, designer and artist Yinka Ilori as well as the talk\u2019s compere, Black@Glasto founder Elsie Cullen. The panel discussed the prejudices they have faced in their careers. Ilori recounted a racist email sent by an unnamed MP claiming that a pavilion he had designed \u201cwould be better in a Nigerian shanty town\u201d, while Chawawa remembered being sent home from a pre-comedy career job because Queen Elizabeth II was visiting the premises that day. Essiedu remembered the backlash to his being cast in the title role of an RSC production of Hamlet, with some critics claiming it was historically inaccurate. \u201cNo one has a problem when (David) Tennant\u2019s not doing it in a Danish accent but when it\u2019s me they have a problem,\u201d he noted.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;eafd9cb5-9860-48e3-803c-8b254d0653aa&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;But the panel also discussed the ways that they had overcome such prejudices without compromising on their work. Chawawa said that he used comedy to raise awareness of issues in a \u201cTrojan horse way\u201d by making audiences laugh first. And Dumbuya expressed pride in designing Arsenal\u2019s away kit in the pan-African colours of black, green and red, to celebrate the role African footballers had played in the club\u2019s successes. It \u201ceducates a generation of Black and white kids about who we are and what we do\u201d, he said.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;12ec5118-bb91-4094-b24d-23cc3908d621&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;We Shouldn\u2019t Be Here also touched on the issue of whether Black festivalgoers are made welcome at Glastonbury, with Chawawa noting that when the Black@Glasto stage was announced, some responded by asking \u201cwhere\u2019s the \u2018white at Glasto\u2019 stage\u201d. He joked: \u201cI had to message mum to delete those.\u201d&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;fa807bfd-479e-44fb-b4b1-a262d769db60&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751041289000,&quot;blockCreatedOnDisplay&quot;:&quot;12.21\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751044965000,&quot;blockLastUpdatedDisplay&quot;:&quot;13.22\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751041439000,&quot;blockFirstPublishedDisplay&quot;:&quot;12.23\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;12.23&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Gwilym Mumford&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2022\/11\/07\/Gwilym_Mumford.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a4f87ae63e08479afd96a824b2af6855&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2022\/11\/07\/Gwilym_Mumford_Next_Gen.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6fca0117d853681028762ff72ac5a590&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685ebc228f080e77497127ea&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;There\u2019s a huge cheer filtering over from the Pyramid stage as Lewis Capaldi comes on stage. This is another secret set that really wasn\u2019t so secret \u2013 the big ones never are at Glasto \u2013 but what a moment. Capaldi\u2019s last big show was on this very stage in 2023, where he had a really difficult time, losing his voice and experiencing Tourette\u2019s tics in front of thousands. The Pyramid stage rallied behind him to sing everything for him, and it was the kind of powerfully human moment that defines the festival. Now he\u2019s back, and it\u2019s quite the way to soft launch a return. 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Beaumont-Thomas&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/static\/sys-images\/Guardian\/Pix\/contributor\/2015\/2\/20\/1424452686624\/Ben-Beaumont-Thomas.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=827f81343088ff1e0d03b2a42d89bbd7&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2017\/10\/06\/Ben-Beaumont-Thomas,-L.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9b9f1267e276fe4e6e03adbd1676ca24&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685ebaf78f08ac61dea2f4fb&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The Glastonbury schedulers get given a lot of grief, for booking the wrong artist on the wrong stage, or at the wrong time, or at the wrong phase of the full moon, etc \u2013 so it\u2019s important to give them credit where it\u2019s due: Paris Paloma, on the Avalon stage, at just after 3pm is very well judged. That mid-afternoon slot can be a tricky one to fill, particularly when the temperature is high and people are wanting to save their strength for the headliners to come. Paloma\u2019s crowd fills the Avalon tent but comfortably so, without packing it, and her brand of upbeat, writerly rock gives a welcome injection of energy without demanding too much of us.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;c7e9e516-b4b4-45ed-88e5-44764def24cb&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Paloma\u2019s pleased too: \u201cThis stage is a fair bit bigger than the one I played last year.\u201d She\u2019s still only relatively early into her career, having gained attention with single Labour in 2023. Since her debut album Cacophony was released last year, Paloma has quickly progressed to bigger stages, headlining the O2 Shepherd\u2019s Bush earlier this month. There Emma Thompson was outed as a fan, caught singing along to Labour in a video &lt;a href=\\&quot;https:\/\/www.nme.com\/news\/music\/fans-spot-emma-thompson-singing-along-to-paris-palomas-feminist-anthem-labour-at-london-gig-3868009\\&quot;&gt;posted to TikTok&lt;\/a&gt;.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;5e2bee58-214c-490d-b724-80b5ee356c44&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Today when she takes the stage, with her guitar strapped across her long-sleeve, full-length, flowing white dress, against a backdrop of folkloric imagery, the uninitiated might expect to be eased in with some gentle guitar, but Paloma obviously sets out to subvert those expectations, opening her set with driving, even somewhat heavy guitar. It\u2019s reminiscent of a folksier, less theatrical Florence + the Machine.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;f5bc7952-4a61-48a4-8b61-e63cf74c4ee2&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Similarly Paloma doesn\u2019t pull her punches, introducing a song as being about the radical power of \u201cloving yourself when there are so many people profiting from everything you hate about your body\u201d. In the absence of genuine self-love, Paloma suggests, \u201cspite is as good a reason\u201d to try to foster it.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;b52d73d8-dde5-407f-ba31-67c817904703&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;She is more explicitly political in a new, as-yet unreleased song, Good Boy, written in response to \u201cfrustrations about the current state of patriarchy in the world\u201d, in the UK and the US. The title refers to men in power, kept chasing their tails and each others\u2019 approval under a system that oppressed them as much as it does everyone else.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;ad9c9c19-728b-4fdc-b02d-4f1440ee255f&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;\u201cI have a lot of thoughts about what a submissive and self-contradictory belief system patriarchy is; there is nothing more submissive I can think of than... being so painfully frightened of being seen as feminine or queer and living your life in fear,\u201d says Paloma. She goes on to eviscerate the \u201cfalse promises of patriarchy\u201d and how young men \u201care being radicalised, whether it\u2019s the incels who haunt my comment sections or the fucking loser billionaires who happen to be in power at the moment ... I\u2019ve never seen submission embodied so well.\u201d&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;99759884-3291-4f60-9e52-f3e5d94cc8d0&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;It\u2019s an eloquent speech, and a refreshing injection of the bigger world through the typically slow part of the day. The investment from the crowd is evident from the steady sprinkling of hands for the duration of Paloma\u2019s song The Warmth, plus the rallying sing along closing her set with Labour.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;23e94a28-b6af-4571-adbf-e385a74dde21&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;But an early standout is Knitting Song, about the legacy of her grandmother and how she\u2019s identified it not only in the rest of her family but also her female friendships. I\u2019m reminded in her easygoing but considered and detailed storytelling of Olivia Dean\u2019s afternoon Pyramid stage set last year \u2013 perhaps that\u2019s Paloma\u2019s next slot.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;7e2d3a2e-8484-42b9-b48b-31a1ff39aaa6&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751038711000,&quot;blockCreatedOnDisplay&quot;:&quot;11.38\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751040191000,&quot;blockLastUpdatedDisplay&quot;:&quot;12.03\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751038920000,&quot;blockFirstPublishedDisplay&quot;:&quot;11.42\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;11.42&quot;,&quot;title&quot;:&quot;Paris Paloma reviewed&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Elle Hunt&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2019\/09\/03\/Elle_Hunt.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=56099c7b5bffed8a23adc560279a8a36&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2019\/09\/03\/Elle_Hunt,_L.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=2402ba5a4d73a4a175942a401662daa5&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685eb6d78f08ac61dea2f4c8&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;When you see Burning Spear enter the Pyramid stage to meet his \u201cburning band\u201d, you first notice that he is dripped out in his own merchandise \u2013 a ripped vest jacket with the pan-African colours of the Rastafari movement with his moniker on the back, and a cap with his logo. Then you hear him, and it\u2019s like a religious incantation. The idol to worship is not him or his brand but the God he serves: \u201cI an I, son of the most high, Jah Rastafari.\u201d This is the start of Door Peep Shall Not Enter, in which the refrain \u201cgive thanks and praise\u201d is dedicated to the \u201choly man of creation\u201d.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;00909133-11e5-4f46-a728-4f543438752a&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The 80-year-old singer-songwriter, real name Winston Rodney, was a major force, alongside Bob Marley, in importing reggae music from the recording studios of Kingston to the British isles in the 1960s and 70s. His 1975 album Marcus Garvey still stands apart, showcasing a musical ideology indebted to the heroes of pan-africanism and Black nationalist movements.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;487e9062-3cb5-4d1c-9974-f68be17a50c6&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Rodney and his band look like the coolest, grooviest group of old men you could imagine. The characteristically slower tempo of reggae is matched by his more subdued and composed aura, but then come the moments of magic, where he hovers over nyabinghi drums and taps them with rhapsodic vigour, as though summoning a spirit. Leaving his band to deliver the vibe, he breaks into skanking steps and moves like a ballroom dancer. Tempo switches also become more thrilling \u2013 the beats race as Rodney sings Not Stupid, confronting Babylon and its belief that we are \u201cstupid\u201d and might forget the days of slavery.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;56c816af-3dd4-4568-bc27-c7314dc31a03&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;You might argue that, with its pan-African aesthetics and images on an electric guitar of the civil rights figure and sociologist Ida B Wells, that the set is lacking explicit, loud political statements, perhaps about war or poverty. But these concerns are so deeply woven into Rodney\u2019s lyrics that the set remains a manifesto nonetheless: on Jamaica he sings \u201cit\u2019s best to stand up for something than standing for nothing\u201d and \u201cMarcus Garvey open the door of Jamaica and spread Jamaica all over\u201d.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;2e3c63dd-28b0-49b7-a027-b01a26e8f9a3&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The incredibly mighty international influence of that small island is felt in this performance \u2013 though it is evidently elevated by its solid African influences. That includes the brass instruments: horns, saxophones and trombones evoking the Afrobeat pioneered by Fela Kuti, as well as strong elements of Afro-Cuban jazz. These rhythms seamlessly infuse with the reggae, as does the syncopation and polyrhythmic orchestration. 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Smith performs at Woodsies.&quot;,&quot;caption&quot;:&quot;Myles Smith performs at Woodsies.&quot;,&quot;credit&quot;:&quot;Photograph: Scott A Garfitt\/Invision\/AP&quot;}},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;&lt;strong&gt;Woodsies, 12.45pm&lt;\/strong&gt;&lt;br&gt;\\n If ever there was a formula for breaking beyond the constraints of the term \u201cTikTok artist\u201d, Luton-based singer-songwriter Myles Smith has found it: his career is the result of a winning combination of timing, exposure and unmistakable talent. Blowing up online after posting acoustic renditions of songs by Hozier and the Neighbourhood, Smith has since drummed up over half a billion streams for his viral track Stargazing, picked up a Brits rising star award, a spot on Obama\u2019s annual end-of-year playlist and an opening slot on Ed Sheeran\u2019s tour. Smith, palpably excited, tells the crowd: \u201cI\u2019ve been on tour with the ginger prince but nothing beats Glastonbury man!\u201d&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;1287d722-6c06-4059-9a96-6705d62e48ed&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Smith skips onstage carrying a guitar and immediately launches into Wait For You. There is a child-like zeal and cheer in his face, which makes his bold, soulful vocals feel all the more effortless. He has evidently built a strong discography and the crowd is familiar with it \u2013 Behind, Whisper and Solo all meet knowing hand claps and whoops. And if you\u2019re unfamiliar, Smith wears his influences well enough that you have points of reference \u2013 Sheeran, of course, but also Green Day, Mumford &amp;amp; Sons, George Ezra and Tom Odell.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;4cb9ea45-01d8-448f-97d4-3440d558bf27&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;At moments though, despite Smith\u2019s obvious soul, it feels as though real emotion is lost to the folksy feel-good vibes: there is no real difference in mood between a song about heartbreak and one about being at the side of a lover. That also means that tracks soon begin to feel impersonal, derivative and bland: River with its nondescript lyrics \u201cyou\u2019ll never be alone, I\u2019ll be by your side\u201d feels like it could soundtrack the most romantic moment of an Ice Age film.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;f2cc6e3c-075d-461b-88b8-d8888e335624&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;That is not to dismiss the strength of the performance or of Smith\u2019s talent. The sunshine folksiness is the perfect aperitif. He is clearly humbled by the sheer size of the crowd, saying \u201clast year I was playing to 80 people in a pub in Manchester, this year look how many of you turned up\u201d (and it\u2019s an intimidating beat having followed up Lorde\u2019s secret-not-so-secret Woodsies opener). But I long for some moodiness, some real grungy, filthy production he can sink his teeth into so that his gorgeous voice is not simply spent on sentimental schmaltz. Sound a little pissed off or aggrieved, maybe. Smash your guitar.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;3c72977c-d017-42b4-8fad-3f1dbd088cd2&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751031130000,&quot;blockCreatedOnDisplay&quot;:&quot;09.32\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751033050000,&quot;blockLastUpdatedDisplay&quot;:&quot;10.04\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751032374000,&quot;blockFirstPublishedDisplay&quot;:&quot;09.52\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;09.52&quot;,&quot;title&quot;:&quot;Myles Smith reviewed!&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Jason Okundaye&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/02\/20\/Jason_Okundaye.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e831313b7a659370829fa328b06165b2&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/02\/20\/Jason_Okundaye.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=559291c12697715ee6e2467b417f6188&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685e94af8f08ac61dea2f2a3&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;&lt;strong&gt;Park stage, 12.45pm&lt;\/strong&gt;&lt;br&gt;\\n John Glacier\u2019s flow stands alone in the UK and indeed anywhere. Sometimes she\u2019s steadily, carefully hyping herself up as if daring to believe her own skill; at others she raps in a conspiratorial murmur, like the magnetic Heaven\u2019s Sent, delivered here at a daringly low volume which makes her all the more magnetic. Other times, as on wonderful UK garage ballad Ocean Steppin\u2019, she sounds breezy and resigned to whatever fate has in store for her. Perhaps there\u2019s a touch of Dean Blunt at times, or Neneh Cherry\u2019s most introspective moments, but there really is no one wandering a path like her; pausing to reflect then giving a stoic shrug and pressing on.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;d9d16a42-5cee-4db7-818e-661bdf79706b&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;There are some problems with her monitors \u2013 she almost ends the set a song early after cheerily flouncing away from some dodgy onstage sound - but it all sounds great out in the crowd. The bass feels a touch high at times and obscures some details, but equally, the overwhelming, ether-dominating vibration fits the music so well at others: \u201cOn the rocks, on the waves \/ Feeling like I\u2019m never sure,\u201d she raps on Nevasure, that bass sweeping her out to sea on a dark tide. She has a lovely intimacy with her DJ, so different your standard hip-hop hype man - during Ocean Steppin\u2019 they pass a two litre bottle of water back and forth and Glacier vapes a little, a couple of friends having a content little moment. There\u2019s a low-key charm to the whole set, but a deep, strange drama churning beneath it.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;8acae6f9-ab69-4fa8-9d24-7e706f5b96cf&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751028911000,&quot;blockCreatedOnDisplay&quot;:&quot;08.55\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751029561000,&quot;blockLastUpdatedDisplay&quot;:&quot;09.06\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751029101000,&quot;blockFirstPublishedDisplay&quot;:&quot;08.58\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;08.58&quot;,&quot;title&quot;:&quot;John Glacier reviewed!&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Ben Beaumont-Thomas&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/static\/sys-images\/Guardian\/Pix\/contributor\/2015\/2\/20\/1424452686624\/Ben-Beaumont-Thomas.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=827f81343088ff1e0d03b2a42d89bbd7&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2017\/10\/06\/Ben-Beaumont-Thomas,-L.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9b9f1267e276fe4e6e03adbd1676ca24&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 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Coombes of Supergrass performs on the Pyramid stage.&quot;,&quot;caption&quot;:&quot;Spiffy \u2026 Gaz Coombes of Supergrass performs on the Pyramid stage.&quot;,&quot;credit&quot;:&quot;Photograph: James Veysey\/Shutterstock&quot;}},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;&lt;strong&gt;Pyramid stage, 12pm&lt;\/strong&gt;&lt;br&gt;\\n Supergrass emerge in front of a backdrop of the album art for their debut album I Should Coco, depicting original trio Gaz Coombes, Mick Quinn and Danny Goffey as snarling, snotty, monobrowed youngsters. It wouldn\u2019t be unfair to point out that there is an ocean of difference between said artwork and the salt and pepper templed gents (Coombes, Quinn and Goffey, plus long-term fourth member, Coombes\u2019s keyboardist brother Rob) stood in front of it \u2013 though Coombes, looking spiffy in blazer and newsboy cap, is ageing about as classily as possible. What\u2019s more, as they tear into an opening one two punch of I\u2019d Like To Know and Caught By the Fuzz, it\u2019s clear the snarl and the snot hasn\u2019t left them.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;8b0b5e6e-e653-446d-a1ee-98c1c5a6eb4d&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Supergrass have been touring for the 30th anniversary of Coco, and their set today \u2013 also 30 full years on from their Glastonbury debut (\u201cWe came in on a chopper,\u201d Goffey recalls, eyes wide in wonder) \u2013 is the bulk of that album played in chronological order. There are pros and cons to this: on the plus side it allows an airing of some belting, single-worthy album tracks like I\u2019d Like to Know and Strange Ones. But the downside is that it slightly sidelines the more musically adventurous band that those mod revivalist urchins grew into.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;fd031589-118e-4a1e-9336-8665d17dd73c&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;It doesn\u2019t help that the biggest singalongs \u2013 Mansize Rooster and of course Alright \u2013 all land in the album\u2019s stacked first half and are dispensed with a little too early. As the more meandering back half tracks like Sofa (of my lethargy) and She\u2019s So Loose (\u201cabout underage sex with older women, it\u2019s a bit weird now\u201d, says Coombes), the Pyramid crowd\u2019s attention starts to wander.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;213cd3ef-cc97-4e56-8563-d21d1985fa98&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The relief is palpable then when Coombes says \u201cwe\u2019re gonna jump ahead a few years\u201d, and launches into the caustic chuggy opening riff to Richard III. From there it\u2019s a home stretch of bangers \u2013 Late in the Day; Mary, with its daft caterwauling \u201caii-aii-aii-aii\u201d chorus; Moving; a loose, psych-tinged Sun Hits the Sky \u2013 and the crowd are firmly back onside. By set closer Pumping on Your Stereo the big overhead claps are out, everyone is singing along and the festival feels truly underway.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;7e1327f6-e2d3-437c-b9ee-daf8976faeff&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751026666000,&quot;blockCreatedOnDisplay&quot;:&quot;08.17\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751044325000,&quot;blockLastUpdatedDisplay&quot;:&quot;13.12\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751027803000,&quot;blockFirstPublishedDisplay&quot;:&quot;08.36\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;08.36&quot;,&quot;title&quot;:&quot;Supergrass reviewed!&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Gwilym Mumford&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2022\/11\/07\/Gwilym_Mumford.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a4f87ae63e08479afd96a824b2af6855&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2022\/11\/07\/Gwilym_Mumford_Next_Gen.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6fca0117d853681028762ff72ac5a590&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685e834e8f087443bddc6c7b&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;&lt;strong&gt;Other stage, 11.30am&lt;\/strong&gt;&lt;br&gt;\\n The pairing of classical music and rave nostalgia seems to be in vogue at the moment. The Ha\u00e7ienda Classi\u00e7al, Back to Basics with the Orchestra of the Opera North and the hilariously named Cream Classical all reinterpret club classics with a full ensemble and guest vocalists. Representing the trend at &lt;a href=\\&quot;https:\/\/www.theguardian.com\/music\/glastonbury-2025\\&quot; data-component=\\&quot;auto-linked-tag\\&quot;&gt;Glastonbury 2025&lt;\/a&gt; are drum\u2018n\u2019bass legends Fabio &amp;amp; Grooverider, who today open a packed-out Other stage, accompanied by the Outlook Orchestra.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;034e191e-918a-47cb-9f7a-08eebdc7e6f9&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;\u201cWe\u2019re gonna take you through time, we\u2019re gonna give you a history of jungle and D\u2019n\u2019B!\u201d bellows the guest MC, GQ, while Fabio &amp;amp; Grooverider take their place behind the decks in the centre of the orchestra. And indeed they do: the gun finger-poised, bucket hat-clad crowd are treated to an hour of old favourites, beefed up by live amen breaks, big horns and soaring strings.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;e5597f59-7320-4dfa-9446-95ad73753649&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;The set is structured in parts, starting with early nineties 90s jungle to present-day D\u2019n\u2019B. We hear countless beloved tracks such as We Are IE, Sweet Love, Super Sharp Shooter and the real singalong-inducing Ready Or Not. Between a string of guest vocalists, Fabio &amp;amp; Grooverider occasionally pause to pace the stage, asking who was there the first time round and running through their history, which began at a wine bar in Streatham, south London. \u201cTo see this is amazing,\u201d says Fabio.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;1535a71a-5338-4e69-b08a-b37aa558fcc8&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Naturally, there\u2019s a tendency for the set to feel a bit corny: the glowing love-heart graphic laid over timelapse clips of London, the pairing of brass and bass, the nostalgia saturation. But there\u2019s no denying that this is a high-energy, heartwarming affair for everyone involved, from the old ravers to the kids on their shoulders.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;962e4caa-d8b7-44fb-be25-421deeb3ed68&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751024462000,&quot;blockCreatedOnDisplay&quot;:&quot;07.41\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751044157000,&quot;blockLastUpdatedDisplay&quot;:&quot;13.09\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751025836000,&quot;blockFirstPublishedDisplay&quot;:&quot;08.03\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;08.03&quot;,&quot;title&quot;:&quot;Fabio &amp; Grooverider reviewed!&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Safi Bugel&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/11\/15\/Safi_Bugel.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5789cdfbada80d591dceb3febee1202d&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2024\/11\/15\/Safi_Bugel,_L.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=53f210dc29da96886b36cbf5d58c0b4f&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685e853b8f087443bddc6c99&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;&lt;strong&gt;Park stage, 11.30am&lt;br&gt;&lt;\/strong&gt;\u201cDo you like camping?\u201d one of Horsegirl asks their audience, to a chorus of assent. \u201cCool. We\u2019re staying an hour away in a hotel.\u201d There\u2019s probably better stage banter to get everyone on side, but thankfully the Chicago indie trio\u2019s actual music is far more endearing.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;a38379d5-3ae5-4d30-a6c4-4398e211dd0d&quot;},{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;There\u2019s a Stereolab-ish motorik chug that underpins a number of these tracks, at various tempos from indie-dancing to mopey wandering, including on cuts from utterly superb Cate le Bon-produced second album Phonetics On and On. The bass notes ring out clean and bright, adding crossbeams to the sturdy structure. But all this steadiness is offset by beautiful, tuneful wordless hooks, like the kind a child might idly sing to themselves while fingerpainting \u2013 affectingly naive but really tricky to write well. The repeated lyrics are strong too: \u201cAnd I try \/ and I try\u201d, they sing on In Twos, quite moving in how they doggedly trudge onwards. As Lorde no doubt takes things straight to 100 over at Woodsies, this set gently eases us up to speed.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;d49ca917-3e9f-4253-9dd8-db79b9618550&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751024955000,&quot;blockCreatedOnDisplay&quot;:&quot;07.49\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751044167000,&quot;blockLastUpdatedDisplay&quot;:&quot;13.09\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751025195000,&quot;blockFirstPublishedDisplay&quot;:&quot;07.53\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;07.53&quot;,&quot;title&quot;:&quot;Horsegirl reviewed!&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Ben Beaumont-Thomas&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/static\/sys-images\/Guardian\/Pix\/contributor\/2015\/2\/20\/1424452686624\/Ben-Beaumont-Thomas.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=827f81343088ff1e0d03b2a42d89bbd7&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2017\/10\/06\/Ben-Beaumont-Thomas,-L.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9b9f1267e276fe4e6e03adbd1676ca24&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;},{&quot;id&quot;:&quot;685e57f78f0859b572b5f21b&quot;,&quot;elements&quot;:({&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.TextBlockElement&quot;,&quot;html&quot;:&quot;&lt;p&gt;Hello from Worthy Farm! It\u2019s Glastonbury\u2019s final outing before taking a fallow year in 2026 in order for the site to recuperate, and if Thursday night\u2019s merriment is any indication, the crowd will absolutely be making this one count \u2013 here\u2019s hoping we\u2019re not all burnt out by Sunday evening. Today is starting off with a bang: Lorde, who released her fourth album Virgin today, just confirmed via social media that she\u2019s the \u201cTBA\u201d artist opening the Woodsies stage today \u2013 and, naturally, that tent is already at capacity. We\u2019ll have a review of that set \u2013 and the rest of the day\u2019s acts, including the 1975, Alanis Morrisette and more \u2013 very soon.&lt;\/p&gt;&quot;,&quot;elementId&quot;:&quot;cc4616ed-e7f3-439a-be9b-a69e56796dd4&quot;}),&quot;attributes&quot;:{&quot;pinned&quot;:false,&quot;keyEvent&quot;:true,&quot;summary&quot;:false},&quot;blockCreatedOn&quot;:1751020992000,&quot;blockCreatedOnDisplay&quot;:&quot;06.43\u00a0EDT&quot;,&quot;blockLastUpdated&quot;:1751020989000,&quot;blockLastUpdatedDisplay&quot;:&quot;06.43\u00a0EDT&quot;,&quot;blockFirstPublished&quot;:1751020992000,&quot;blockFirstPublishedDisplay&quot;:&quot;06.43\u00a0EDT&quot;,&quot;blockFirstPublishedDisplayNoTimezone&quot;:&quot;06.43&quot;,&quot;title&quot;:&quot;Welcome to Glastonbury 2025!&quot;,&quot;contributors&quot;:({&quot;name&quot;:&quot;Shaad D'Souza&quot;,&quot;imageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2022\/10\/10\/Shaad_D'Souza.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=eb072ca5f67878f89b4bd3a5c0d28e13&quot;,&quot;largeImageUrl&quot;:&quot;https:\/\/i.guim.co.uk\/img\/uploads\/2022\/10\/10\/Shaad_D'Souza_Next_Gen.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1c457cde0e56e0f3a6a276c863d3a811&quot;}),&quot;primaryDateLine&quot;:&quot;Fri 27 Jun 2025 20.42 EDT&quot;,&quot;secondaryDateLine&quot;:&quot;First published on Fri 27 Jun 2025 06.43 EDT&quot;}),&quot;filterKeyEvents&quot;:false,&quot;id&quot;:&quot;key-events-carousel-mobile&quot;,&quot;absoluteServerTimes&quot;:false,&quot;renderingTarget&quot;:&quot;Web&quot;}\"><span id=\"key-events-carousel-mobile\"\/><span class=\"dcr-90inr0\"><\/p>\n<p>Belangrijke gebeurtenissen<\/p>\n<p><\/span><\/gu-island><gu-island name=\"FilterKeyEventsToggle\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;filterKeyEvents&quot;:false,&quot;id&quot;:&quot;filter-toggle-mobile&quot;}\"><span id=\"filter-toggle-mobile\"\/><\/p>\n<div class=\"dcr-alru3r\"><label id=\"src-component-34369_description\" data-component=\"filter-key-events\" data-link-name=\"filter-key-events-on\" class=\"dcr-rrspei\"><button id=\"src-component-34369\" role=\"switch\" aria-checked=\"false\" aria-labelledby=\"src-component-34369_description\" class=\"dcr-dh5oqp\"\/>Toon alleen belangrijke evenementen<\/p>\n<p><span>Schakel JavaScript in om deze functie te gebruiken<\/span><\/p>\n<p><\/label><\/div>\n<p><\/gu-island><\/span><\/p>\n<article id=\"block-685f39fa8f087443bddc73ff\" class=\"block dcr-1os4bxs\">\n<header class=\"dcr-88va8u\">\n<h2 class=\"dcr-1wl2b6o\">Dat ra<\/h2>\n<\/header>\n<p class=\"dcr-16w5gq9\">We kronkelen dit hier LiveBlog. Het is een actievolle eerste dag op de waardige boerderij geweest en morgen lijkt het nog groter te zijn. Zie je helder en vroeg!<\/p>\n<footer class=\"dcr-3i7iba\"><gu-island name=\"ShareButton\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;size&quot;:&quot;xsmall&quot;,&quot;pageId&quot;:&quot;music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news&quot;,&quot;blockId&quot;:&quot;685f39fa8f087443bddc73ff&quot;,&quot;webTitle&quot;:&quot;Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3},&quot;context&quot;:&quot;LiveBlock&quot;}\"><a href=\"mailto:?subject=Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&amp;body=https:\/\/www.theguardian.com\/music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news?CMP=share_btn_url&amp;page=with%3Ablock-685f39fa8f087443bddc73ff#block-685f39fa8f087443bddc73ff\" type=\"button\" class=\"dcr-1v00ko5\">Deel<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-3 -3 30 30\" focusable=\"false\" aria-hidden=\"true\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M19 16c1.675 0 3 1.35 3 3 0 1.675-1.325 3-3 3a2.97 2.97 0 0 1-2.975-3c0-.125 0-.275.025-.375L7.1 14.15a2.9 2.9 0 0 1-2.075.825C3.325 14.975 2 13.65 2 12a3.004 3.004 0 0 1 3.025-3.025c.775 0 1.5.35 2.075.875l8.95-4.475c-.025-.1-.025-.225-.025-.4A2.966 2.966 0 0 1 19 2c1.675 0 3 1.325 3 2.975C22 6.65 20.675 8 19 8c-.8 0-1.475-.325-2.05-.825l-8.975 4.45C8 11.7 8 11.825 8 12s0 .3-.025.375l8.975 4.45c.575-.5 1.25-.825 2.05-.825m0-12.8c-.975 0-1.8.775-1.8 1.775S18.025 6.8 19 6.8c1 0 1.825-.825 1.825-1.825S20 3.2 19 3.2m0 17.6c1 0 1.825-.825 1.825-1.8 0-1-.825-1.8-1.825-1.8-.975 0-1.8.8-1.8 1.8 0 .975.825 1.8 1.8 1.8\"\/><\/svg><\/a><\/gu-island><\/p>\n<p>Bijgewerkt op <time datetime=\"2025-06-28T00:47:23.000Z\" data-locale=\"en-us\" title=\"Friday, June 27, 2025 at 08:47 PM Eastern Daylight Time\">20.47 EDT<\/time><\/p>\n<\/footer>\n<\/article>\n<aside class=\"ad-slot-container ad-slot-desktop dcr-jko40v\"\/>\n<aside class=\"ad-slot-container dcr-jko40v\"\/>\n<article id=\"block-685f2c458f087443bddc73c1\" class=\"block dcr-1os4bxs\">\n<header class=\"dcr-88va8u\"\/>\n<p class=\"dcr-16w5gq9\">Glasto houdt van een A-lister en in toenemende mate de A-Listers Love Glasto. We noemden het Incognito -uiterlijk van Glen Powell eerder, maar misschien was een nog grotere naam aan het chatten, pint in de hand, in het Pilton Palais Theatre: Margot Robbie. Ze was er voor een vertoning en Q&#038;A van mijn oude kont, een Aubrey Plaza Coming of Age -komedie die ze produceerde. Meer beroemdheden doen vragen en morgen in het Palais: Paul Mescal en Taron Egerton, met Jodie Comer op zondag.<\/p>\n<figure id=\"31549ef6-7fe4-45ae-bdc2-4b8f9c29be6f\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-1tx6u99\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Margot Robbie woont een Q&#038;A bij voor de film My Old Ass op Glastonbury Festival.<\/span> Foto: James Veysey\/Shutterstock<\/figcaption><\/figure>\n<footer class=\"dcr-3i7iba\"><gu-island name=\"ShareButton\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;size&quot;:&quot;xsmall&quot;,&quot;pageId&quot;:&quot;music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news&quot;,&quot;blockId&quot;:&quot;685f2c458f087443bddc73c1&quot;,&quot;webTitle&quot;:&quot;Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3},&quot;context&quot;:&quot;LiveBlock&quot;}\"><a href=\"mailto:?subject=Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&amp;body=https:\/\/www.theguardian.com\/music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news?CMP=share_btn_url&amp;page=with%3Ablock-685f2c458f087443bddc73c1#block-685f2c458f087443bddc73c1\" type=\"button\" class=\"dcr-1v00ko5\">Deel<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-3 -3 30 30\" focusable=\"false\" aria-hidden=\"true\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M19 16c1.675 0 3 1.35 3 3 0 1.675-1.325 3-3 3a2.97 2.97 0 0 1-2.975-3c0-.125 0-.275.025-.375L7.1 14.15a2.9 2.9 0 0 1-2.075.825C3.325 14.975 2 13.65 2 12a3.004 3.004 0 0 1 3.025-3.025c.775 0 1.5.35 2.075.875l8.95-4.475c-.025-.1-.025-.225-.025-.4A2.966 2.966 0 0 1 19 2c1.675 0 3 1.325 3 2.975C22 6.65 20.675 8 19 8c-.8 0-1.475-.325-2.05-.825l-8.975 4.45C8 11.7 8 11.825 8 12s0 .3-.025.375l8.975 4.45c.575-.5 1.25-.825 2.05-.825m0-12.8c-.975 0-1.8.775-1.8 1.775S18.025 6.8 19 6.8c1 0 1.825-.825 1.825-1.825S20 3.2 19 3.2m0 17.6c1 0 1.825-.825 1.825-1.8 0-1-.825-1.8-1.825-1.8-.975 0-1.8.8-1.8 1.8 0 .975.825 1.8 1.8 1.8\"\/><\/svg><\/a><\/gu-island><\/footer>\n<\/article>\n<article id=\"block-685f2b558f087443bddc73bf\" class=\"block dcr-1os4bxs\">\n<header class=\"dcr-88va8u\"\/>\n<p class=\"dcr-16w5gq9\">Morgen is een grote op de festivalsite &#8211; misschien wel de meest gestapelde dag van het weekend. Het dilemma over welke headliner moet worden gekozen, is echt en pijnlijk: vul je voor Neil Young, nog steeds woedend schommelen in de vrije wereld op 79? Krijg je de kant van Charli XCX, eindelijk de grote Glasto Slot -brat -verdiensten? Of de absorberende verhalen van Rap&#8217;s nieuwste superster, Doechii? Of volg je mijn leiding en probeer je alle drie te proeven voordat je het opgeeft en Caribou in het parkpodium ziet?<\/p>\n<p class=\"dcr-16w5gq9\">Dan, onder de plooi als het ware, zijn er voldoende sappige hap: John Fogerty, Amyl and the Sniffers, Raye, Deftones, Gary Numan, Weezer, Lucy Dacus, Ezra Collective en nog eens twee (waarschijnlijk massieve) TBA -sets, plus veel meer.<\/p>\n<footer class=\"dcr-3i7iba\"><gu-island name=\"ShareButton\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;size&quot;:&quot;xsmall&quot;,&quot;pageId&quot;:&quot;music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news&quot;,&quot;blockId&quot;:&quot;685f2b558f087443bddc73bf&quot;,&quot;webTitle&quot;:&quot;Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3},&quot;context&quot;:&quot;LiveBlock&quot;}\"><a href=\"mailto:?subject=Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&amp;body=https:\/\/www.theguardian.com\/music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news?CMP=share_btn_url&amp;page=with%3Ablock-685f2b558f087443bddc73bf#block-685f2b558f087443bddc73bf\" type=\"button\" class=\"dcr-1v00ko5\">Deel<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-3 -3 30 30\" focusable=\"false\" aria-hidden=\"true\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M19 16c1.675 0 3 1.35 3 3 0 1.675-1.325 3-3 3a2.97 2.97 0 0 1-2.975-3c0-.125 0-.275.025-.375L7.1 14.15a2.9 2.9 0 0 1-2.075.825C3.325 14.975 2 13.65 2 12a3.004 3.004 0 0 1 3.025-3.025c.775 0 1.5.35 2.075.875l8.95-4.475c-.025-.1-.025-.225-.025-.4A2.966 2.966 0 0 1 19 2c1.675 0 3 1.325 3 2.975C22 6.65 20.675 8 19 8c-.8 0-1.475-.325-2.05-.825l-8.975 4.45C8 11.7 8 11.825 8 12s0 .3-.025.375l8.975 4.45c.575-.5 1.25-.825 2.05-.825m0-12.8c-.975 0-1.8.775-1.8 1.775S18.025 6.8 19 6.8c1 0 1.825-.825 1.825-1.825S20 3.2 19 3.2m0 17.6c1 0 1.825-.825 1.825-1.8 0-1-.825-1.8-1.825-1.8-.975 0-1.8.8-1.8 1.8 0 .975.825 1.8 1.8 1.8\"\/><\/svg><\/a><\/gu-island><\/p>\n<p>Bijgewerkt op <time datetime=\"2025-06-28T00:18:38.000Z\" data-locale=\"en-us\" title=\"Friday, June 27, 2025 at 08:18 PM Eastern Daylight Time\">20.18 EDT<\/time><\/p>\n<\/footer>\n<\/article>\n<aside class=\"ad-slot-container dcr-jko40v\"\/>\n<article id=\"block-685f29c58f080e7749712bcf\" class=\"block dcr-1os4bxs\">\n<header class=\"dcr-88va8u\"\/>\n<p class=\"dcr-16w5gq9\">The Guardian doet dit weekend het hele weekend live Q &#038; As op de festivalsite. Vandaag de eerste plaats onze Zoe Williams die sprak met dragartiest, muzikant, model, podcaster en algemene alledaagse Bimini over het trans -badkamerverbod, de druk van RuPaul&#8217;s Drag Race en het belang van Pride Month:<\/p>\n<figure id=\"99f8444b-f39c-4912-8980-16fe35ec7d05\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.RichLinkBlockElement\" class=\"dcr-173mewl\"><gu-island name=\"RichLinkComponent\" priority=\"feature\" deferuntil=\"idle\" props=\"{&quot;richLinkIndex&quot;:1,&quot;element&quot;:{&quot;_type&quot;:&quot;model.dotcomrendering.pageElements.RichLinkBlockElement&quot;,&quot;prefix&quot;:&quot;Related: &quot;,&quot;text&quot;:&quot;Drag artist Bimini at Glastonbury: \u2018How do you police who\u2019s going to the toilet?\u2019&quot;,&quot;elementId&quot;:&quot;99f8444b-f39c-4912-8980-16fe35ec7d05&quot;,&quot;role&quot;:&quot;inline&quot;,&quot;url&quot;:&quot;https:\/\/www.theguardian.com\/music\/2025\/jun\/27\/drag-artist-bimini-at-glastonbury&quot;},&quot;ajaxUrl&quot;:&quot;https:\/\/api.nextgen.guardianapps.co.uk&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3}}\"\/><\/figure>\n<footer class=\"dcr-3i7iba\"><gu-island name=\"ShareButton\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;size&quot;:&quot;xsmall&quot;,&quot;pageId&quot;:&quot;music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news&quot;,&quot;blockId&quot;:&quot;685f29c58f080e7749712bcf&quot;,&quot;webTitle&quot;:&quot;Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3},&quot;context&quot;:&quot;LiveBlock&quot;}\"><a href=\"mailto:?subject=Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&amp;body=https:\/\/www.theguardian.com\/music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news?CMP=share_btn_url&amp;page=with%3Ablock-685f29c58f080e7749712bcf#block-685f29c58f080e7749712bcf\" type=\"button\" class=\"dcr-1v00ko5\">Deel<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-3 -3 30 30\" focusable=\"false\" aria-hidden=\"true\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M19 16c1.675 0 3 1.35 3 3 0 1.675-1.325 3-3 3a2.97 2.97 0 0 1-2.975-3c0-.125 0-.275.025-.375L7.1 14.15a2.9 2.9 0 0 1-2.075.825C3.325 14.975 2 13.65 2 12a3.004 3.004 0 0 1 3.025-3.025c.775 0 1.5.35 2.075.875l8.95-4.475c-.025-.1-.025-.225-.025-.4A2.966 2.966 0 0 1 19 2c1.675 0 3 1.325 3 2.975C22 6.65 20.675 8 19 8c-.8 0-1.475-.325-2.05-.825l-8.975 4.45C8 11.7 8 11.825 8 12s0 .3-.025.375l8.975 4.45c.575-.5 1.25-.825 2.05-.825m0-12.8c-.975 0-1.8.775-1.8 1.775S18.025 6.8 19 6.8c1 0 1.825-.825 1.825-1.825S20 3.2 19 3.2m0 17.6c1 0 1.825-.825 1.825-1.8 0-1-.825-1.8-1.825-1.8-.975 0-1.8.8-1.8 1.8 0 .975.825 1.8 1.8 1.8\"\/><\/svg><\/a><\/gu-island><\/footer>\n<\/article>\n<article id=\"block-685f072c8f087443bddc730f\" class=\"block dcr-1os4bxs\">\n<header class=\"dcr-88va8u\">\n<h2 class=\"dcr-1wl2b6o\">Zelfrespectreview<\/h2>\n<div class=\"dcr-dzkvsd\">\n<div class=\"dcr-uae6pk\"><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/uploads\/2019\/09\/03\/Elle_Hunt,_L.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=2402ba5a4d73a4a175942a401662daa5\" alt=\"Elle Hunt\" class=\"dcr-lysqes\"\/><\/div>\n<p><span class=\"dcr-sa35sa\">Elle Hunt<\/span><\/div>\n<\/header>\n<p class=\"dcr-16w5gq9\">Ik weet niet of ik ooit het parkpodium heb gezien dat zo vol is als voor zelfrespect, net na 21.00 uur op vrijdag &#8211; de menigte is zo dicht, het maakt meedoen aan de rand onmogelijk, waardoor je steeds hoger op de heuvel wordt gedwongen om deel uit te maken van de show.<\/p>\n<p class=\"dcr-16w5gq9\">Het is duidelijk dat het woord zich heeft verspreid over de commandant aanwezigheid van Rebecca Lucy Taylor: haar show in de Woodsies -tent een paar jaar geleden, het promoten van haar breakout -album prioriteit aan plezier, was een van de meest vrolijke die ik ooit heb meegemaakt in een Glastonbury, die de gemeenschap rond het festival maar ook in het bijzonder tot in het bijzonder bracht.<\/p>\n<p class=\"dcr-16w5gq9\">Vanavond is Taylor terug met een ander album onder haar riem, een gecompliceerde vrouw. Ze is een imposante aanwezigheid op het podium, draagt \u200b\u200bde gewaden en hoofdtooi in Amish-stijl en geflankeerd door een bemanning van achterstallige dansers die hetzelfde kleedden, en zingend dat ik doe en het kan me niet schelen met zijn arresterende refrein: &#8220;Als ik zo bekrachtigd ben, waarom ben ik zo&#8217;n lafaard?&#8221;<\/p>\n<p class=\"dcr-16w5gq9\">De show is relatief hoog concept en strak gechoreografeerd, omdat fans van Taylor zullen zijn gaan verwachten, maar met een donkerder aspect dan prioriteit geven aan plezier. Door leugens draagt \u200b\u200been drone die boven de menigte vliegt, draagt \u200b\u200bbij aan de impliciete bedreiging. Taylor verbrandt de camera en verwarmt haar grijns en bespot de soepele, minder gecompliceerde vrouw die de wereld vermoedelijk zou verkiezen. Wanneer ze het nummer afsluit, gehurkt op het podium, ziet ze er kort een beetje uit en laat ze de stenen-gezicht vallen. &#8220;Bedankt,&#8221; zegt ze vrolijk. &#8220;Dit is een nummer genaamd 69.&#8221;<\/p>\n<figure id=\"42433bc4-dd87-4c35-a44b-7afd399dfe95\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-1tx6u99\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Zelfrespect speelt het parkpodium in Glastonbury.<\/span> Foto: Alicia Canter\/The Guardian<\/figcaption><\/figure>\n<p class=\"dcr-16w5gq9\">Het lied, over Taylor&#8217;s gebrek aan enthousiasme voor die specifieke seksuele handeling en overweging van de relatieve verdiensten tegen anderen, wordt begroet door kinderachtige oooohs van de menigte en lacht zelfs. Ik geef toe dat het een onmiddellijke skip voor mij is als ik thuis naar het album heb geluisterd, maar live, Taylor&#8217;s deadpan -levering is vermakelijk en een welkome lift door de anders vaak rechtstreekse setlist.<\/p>\n<p class=\"dcr-16w5gq9\">In een andere naadloze overgang, met oproep en reactie met haar dansers, wordt Taylor geholpen uit haar gewaden die ze allemaal onthullen om rugbytruien te dragen. (Haar nummer is natuurlijk 69.) Net als bij de Prioritize Pleasure Tour is er een echte slimheid voor de enscenering. Door jou voor altijd, de eerste volhuided singalong van de set met zijn verzamelkoor van &#8220;You Need To Be Braver&#8221;, loopt Taylor oefeningen met de rest van haar team.<\/p>\n<p class=\"dcr-16w5gq9\">Het hoogtepunt van een gecompliceerde vrouw, vanavond zoals op het album, is The Curse, die Taylor relatief alleen op het podium vindt met een gitaar, vervloekt, in een andere roerende outro, de deprimerende voorspelbaarheid van een relatie voorbij zijn best: &#8220;Ik zou het niet doen als het niet zou werken.&#8221;<\/p>\n<p class=\"dcr-16w5gq9\">Maar het is onmiskenbaar de nummers uit 2021&#8217;s prioriteiten van plezier, met name het titelnummer en verdomde tovenarij, die het meeste enthousiasme van de menigte trekken. Velen van hen kennen elk woord &#8211; en dit zijn zeer woordelijke liedjes &#8211; en lijken echt iets te krijgen van het schreeuwen van ze naar de hemel. Het is opwindend, serieus maar toch vrolijk.<\/p>\n<footer class=\"dcr-3i7iba\"><gu-island name=\"ShareButton\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;size&quot;:&quot;xsmall&quot;,&quot;pageId&quot;:&quot;music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news&quot;,&quot;blockId&quot;:&quot;685f072c8f087443bddc730f&quot;,&quot;webTitle&quot;:&quot;Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3},&quot;context&quot;:&quot;LiveBlock&quot;}\"><a href=\"mailto:?subject=Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&amp;body=https:\/\/www.theguardian.com\/music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news?CMP=share_btn_url&amp;page=with%3Ablock-685f072c8f087443bddc730f#block-685f072c8f087443bddc730f\" type=\"button\" class=\"dcr-1v00ko5\">Deel<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-3 -3 30 30\" focusable=\"false\" aria-hidden=\"true\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M19 16c1.675 0 3 1.35 3 3 0 1.675-1.325 3-3 3a2.97 2.97 0 0 1-2.975-3c0-.125 0-.275.025-.375L7.1 14.15a2.9 2.9 0 0 1-2.075.825C3.325 14.975 2 13.65 2 12a3.004 3.004 0 0 1 3.025-3.025c.775 0 1.5.35 2.075.875l8.95-4.475c-.025-.1-.025-.225-.025-.4A2.966 2.966 0 0 1 19 2c1.675 0 3 1.325 3 2.975C22 6.65 20.675 8 19 8c-.8 0-1.475-.325-2.05-.825l-8.975 4.45C8 11.7 8 11.825 8 12s0 .3-.025.375l8.975 4.45c.575-.5 1.25-.825 2.05-.825m0-12.8c-.975 0-1.8.775-1.8 1.775S18.025 6.8 19 6.8c1 0 1.825-.825 1.825-1.825S20 3.2 19 3.2m0 17.6c1 0 1.825-.825 1.825-1.8 0-1-.825-1.8-1.825-1.8-.975 0-1.8.8-1.8 1.8 0 .975.825 1.8 1.8 1.8\"\/><\/svg><\/a><\/gu-island><\/p>\n<p>Bijgewerkt op <time datetime=\"2025-06-27T23:40:41.000Z\" data-locale=\"en-us\" title=\"Friday, June 27, 2025 at 07:40 PM Eastern Daylight Time\">19.40 EDT<\/time><\/p>\n<\/footer>\n<\/article>\n<aside class=\"ad-slot-container ad-slot-desktop dcr-jko40v\"\/>\n<aside class=\"ad-slot-container dcr-jko40v\"\/>\n<article id=\"block-685f25e38f08ac61dea2f8d7\" class=\"block dcr-1os4bxs\">\n<header class=\"dcr-88va8u\">\n<h2 class=\"dcr-1wl2b6o\">Loyle Carner Review<\/h2>\n<div class=\"dcr-dzkvsd\">\n<div class=\"dcr-uae6pk\"><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/uploads\/2017\/10\/06\/Ben-Beaumont-Thomas,-L.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9b9f1267e276fe4e6e03adbd1676ca24\" alt=\"Ben Beaumont-Thomas\" class=\"dcr-lysqes\"\/><\/div>\n<p><span class=\"dcr-sa35sa\">Ben Beaumont-Thomas<\/span><\/div>\n<\/header>\n<p class=\"dcr-16w5gq9\">Loyle Carner&#8217;s nieuwe album <a href=\"https:\/\/www.theguardian.com\/music\/2025\/jun\/19\/loyle-carner-hopefully-review\" data-link-name=\"in body link\">Hopelijk!<\/a> Is het soort dingen waar je aan houdt nadat de kinderen naar bed zijn gegaan: een introspectieve studie van de nieuwe 30-iets en hoop, om over na te denken met een whisky of een joint. Niet het soort dingen dat je misschien zou opzetten als een headliner in het tweede grootste podium van Glastonbury &#8211; en toch is dit een meesterlijke boeking en een beetje tegenprogrammering, pure ziel om de wetenschappelijk gecorrodeerde geest van de 1975 te compenseren.<\/p>\n<p class=\"dcr-16w5gq9\">Glastonbury moet om de zoveel tijd ronduit worden geprezen &#8211; zoals zij deden met Stormzy &#8211; een kunstenaar een podium geven waar ze zich op een beetje moeten bewijzen; Geloven in Britse schittering en het in een betere BBC -schijnwerper duwen dan ze gewend zijn. Carner gaat de uitdaging aan, met een perfecte microfoontechniek, die ongeveer 1% achter de beat blijft om het die dilla-time swing te geven, plus slimme visuals-een overdreven HD-camera die aan zijn microfoonstand is bevestigd, pakt elke porie van zijn gezicht en buig van zijn lippen op de microfoon. Het vervolgt raar een afkomst van Busta Rhymes voor hem op dit podium en herinnert zich de Fisheye -lens van de video&#8217;s van Hype Williams.<\/p>\n<p class=\"dcr-16w5gq9\">Gespeeld door een volleerde, ontspannen band, zijn nummers zoals gisteren gedaan als stijlvolle boom-bap met bolvormige funkbaslijnen; Nieuw nummer Horgrux heeft een shuffling high-tempo jazz beat, ergens tussen Junglism en het neo-Afrobeat van Ezra Collective. Op een ander nieuw nummer, Lyin, zegt Carner: &#8220;Dit is pas de vierde keer in mijn leven dat ik voor sommige mensen heb gezongen die ik niet ken&#8221;, en hij houdt zijn stem laag en onthouden, verlicht met een helderdere vocale lijn van zijn achtergrondzanger en gitarist. Er zijn enkele sterrengasten: Carner en Sampha zitten naast elkaar en ruilen wijsheid op desoleil (briljante hoeken), terwijl Jorja Smith het verheven, mooie einde van haar register op losse eindjes gebruikt, carner die naadloos uit het ijswater is in ijswater, dansend over het gezicht van moeilijk terrein. Overal is hij een vierkante pen van een man: scherp en schoon, botst door een wereld van borend gladde randen. Misschien past hij er niet altijd in, maar hij dient niet langs de randen die hem maken tot wie hij is. &#8220;Je deed het voor geld \/ ik deed het omdat&#8221;, hij rapt op een gegeven moment-hij doet dit duidelijk puur voor de vreugde van zelfexpressie.<\/p>\n<footer class=\"dcr-3i7iba\"><gu-island name=\"ShareButton\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;size&quot;:&quot;xsmall&quot;,&quot;pageId&quot;:&quot;music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news&quot;,&quot;blockId&quot;:&quot;685f25e38f08ac61dea2f8d7&quot;,&quot;webTitle&quot;:&quot;Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3},&quot;context&quot;:&quot;LiveBlock&quot;}\"><a href=\"mailto:?subject=Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&amp;body=https:\/\/www.theguardian.com\/music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news?CMP=share_btn_url&amp;page=with%3Ablock-685f25e38f08ac61dea2f8d7#block-685f25e38f08ac61dea2f8d7\" type=\"button\" class=\"dcr-1v00ko5\">Deel<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-3 -3 30 30\" focusable=\"false\" aria-hidden=\"true\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M19 16c1.675 0 3 1.35 3 3 0 1.675-1.325 3-3 3a2.97 2.97 0 0 1-2.975-3c0-.125 0-.275.025-.375L7.1 14.15a2.9 2.9 0 0 1-2.075.825C3.325 14.975 2 13.65 2 12a3.004 3.004 0 0 1 3.025-3.025c.775 0 1.5.35 2.075.875l8.95-4.475c-.025-.1-.025-.225-.025-.4A2.966 2.966 0 0 1 19 2c1.675 0 3 1.325 3 2.975C22 6.65 20.675 8 19 8c-.8 0-1.475-.325-2.05-.825l-8.975 4.45C8 11.7 8 11.825 8 12s0 .3-.025.375l8.975 4.45c.575-.5 1.25-.825 2.05-.825m0-12.8c-.975 0-1.8.775-1.8 1.775S18.025 6.8 19 6.8c1 0 1.825-.825 1.825-1.825S20 3.2 19 3.2m0 17.6c1 0 1.825-.825 1.825-1.8 0-1-.825-1.8-1.825-1.8-.975 0-1.8.8-1.8 1.8 0 .975.825 1.8 1.8 1.8\"\/><\/svg><\/a><\/gu-island><\/footer>\n<\/article>\n<aside class=\"ad-slot-container dcr-jko40v\"\/>\n<article id=\"block-685f29368f08ac61dea2f8df\" class=\"block dcr-1os4bxs\">\n<header class=\"dcr-88va8u\"\/>\n<p class=\"dcr-16w5gq9\">We zullen binnenkort de recensie van Alexis Petridis van de 1975 hebben, evenals round -ups van de andere headline -sets op het festival. Blijf bij ons!<\/p>\n<footer class=\"dcr-3i7iba\"><gu-island name=\"ShareButton\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;size&quot;:&quot;xsmall&quot;,&quot;pageId&quot;:&quot;music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news&quot;,&quot;blockId&quot;:&quot;685f29368f08ac61dea2f8df&quot;,&quot;webTitle&quot;:&quot;Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3},&quot;context&quot;:&quot;LiveBlock&quot;}\"><a href=\"mailto:?subject=Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&amp;body=https:\/\/www.theguardian.com\/music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news?CMP=share_btn_url&amp;page=with%3Ablock-685f29368f08ac61dea2f8df#block-685f29368f08ac61dea2f8df\" type=\"button\" class=\"dcr-1v00ko5\">Deel<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-3 -3 30 30\" focusable=\"false\" aria-hidden=\"true\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M19 16c1.675 0 3 1.35 3 3 0 1.675-1.325 3-3 3a2.97 2.97 0 0 1-2.975-3c0-.125 0-.275.025-.375L7.1 14.15a2.9 2.9 0 0 1-2.075.825C3.325 14.975 2 13.65 2 12a3.004 3.004 0 0 1 3.025-3.025c.775 0 1.5.35 2.075.875l8.95-4.475c-.025-.1-.025-.225-.025-.4A2.966 2.966 0 0 1 19 2c1.675 0 3 1.325 3 2.975C22 6.65 20.675 8 19 8c-.8 0-1.475-.325-2.05-.825l-8.975 4.45C8 11.7 8 11.825 8 12s0 .3-.025.375l8.975 4.45c.575-.5 1.25-.825 2.05-.825m0-12.8c-.975 0-1.8.775-1.8 1.775S18.025 6.8 19 6.8c1 0 1.825-.825 1.825-1.825S20 3.2 19 3.2m0 17.6c1 0 1.825-.825 1.825-1.8 0-1-.825-1.8-1.825-1.8-.975 0-1.8.8-1.8 1.8 0 .975.825 1.8 1.8 1.8\"\/><\/svg><\/a><\/gu-island><\/footer>\n<\/article>\n<article id=\"block-685f217d8f087443bddc73a2\" class=\"block dcr-1os4bxs\">\n<header class=\"dcr-88va8u\"\/>\n<p class=\"dcr-16w5gq9\">Dus dat is de eerste van de Pyramid-headline van dit jaar en in de recordboeken, een niet verrassend maximalistische, Throw-Allthing-At-the-Wall-prestaties door Matty Healy en de 1975: er waren de lange afdrukken, sommige pijnlijk oprecht, wat knop. Maar er was ook een verklaarde poging om politiek te vermijden: inderdaad, het was vaag genoeg dat je zou kunnen vragen wat hij bedoelde met de politiek &#8211; Palestina? Troef? Iets heel anders.<\/p>\n<p class=\"dcr-16w5gq9\">Oh en natuurlijk voorbij de Matty Healy-show was er een echt optreden gaande, een optreden die erg gericht leek te onderstrepen dat dit de tijd, carri\u00e8re-overspanning van de 1975 was en vol hits was. Het is lang geleden &#8211; ze waren 11 jaar geleden voor het eerst op dit podium &#8211; en, wat je kijk op de band ook, ze gooiden zich zeker in deze grootste opdrachten.<\/p>\n<footer class=\"dcr-3i7iba\"><gu-island name=\"ShareButton\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;size&quot;:&quot;xsmall&quot;,&quot;pageId&quot;:&quot;music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news&quot;,&quot;blockId&quot;:&quot;685f217d8f087443bddc73a2&quot;,&quot;webTitle&quot;:&quot;Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3},&quot;context&quot;:&quot;LiveBlock&quot;}\"><a href=\"mailto:?subject=Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&amp;body=https:\/\/www.theguardian.com\/music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news?CMP=share_btn_url&amp;page=with%3Ablock-685f217d8f087443bddc73a2#block-685f217d8f087443bddc73a2\" type=\"button\" class=\"dcr-1v00ko5\">Deel<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-3 -3 30 30\" focusable=\"false\" aria-hidden=\"true\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M19 16c1.675 0 3 1.35 3 3 0 1.675-1.325 3-3 3a2.97 2.97 0 0 1-2.975-3c0-.125 0-.275.025-.375L7.1 14.15a2.9 2.9 0 0 1-2.075.825C3.325 14.975 2 13.65 2 12a3.004 3.004 0 0 1 3.025-3.025c.775 0 1.5.35 2.075.875l8.95-4.475c-.025-.1-.025-.225-.025-.4A2.966 2.966 0 0 1 19 2c1.675 0 3 1.325 3 2.975C22 6.65 20.675 8 19 8c-.8 0-1.475-.325-2.05-.825l-8.975 4.45C8 11.7 8 11.825 8 12s0 .3-.025.375l8.975 4.45c.575-.5 1.25-.825 2.05-.825m0-12.8c-.975 0-1.8.775-1.8 1.775S18.025 6.8 19 6.8c1 0 1.825-.825 1.825-1.825S20 3.2 19 3.2m0 17.6c1 0 1.825-.825 1.825-1.8 0-1-.825-1.8-1.825-1.8-.975 0-1.8.8-1.8 1.8 0 .975.825 1.8 1.8 1.8\"\/><\/svg><\/a><\/gu-island><\/footer>\n<\/article>\n<article id=\"block-685f20208f087443bddc7398\" class=\"block dcr-1os4bxs\">\n<header class=\"dcr-88va8u\"\/>\n<p class=\"dcr-16w5gq9\">Over jou, de grote centrale ballad van grappig zijn in een vreemde taal, is het laatste nummer van de nacht en klinkt kakofoon, zoals je zou verwachten van een nummer met strijkarrangementen van Warren Ellis. Meer verrassend, omdat het aan het einde naar Healy snijdt, zijn er tranen in zijn ogen. Hij knuffelt zijn bandgenoten in het midden van het podium en ze gaan het podium van het podium als de feedback squalls.<\/p>\n<footer class=\"dcr-3i7iba\"><gu-island name=\"ShareButton\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;size&quot;:&quot;xsmall&quot;,&quot;pageId&quot;:&quot;music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news&quot;,&quot;blockId&quot;:&quot;685f20208f087443bddc7398&quot;,&quot;webTitle&quot;:&quot;Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3},&quot;context&quot;:&quot;LiveBlock&quot;}\"><a href=\"mailto:?subject=Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&amp;body=https:\/\/www.theguardian.com\/music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news?CMP=share_btn_url&amp;page=with%3Ablock-685f20208f087443bddc7398#block-685f20208f087443bddc7398\" type=\"button\" class=\"dcr-1v00ko5\">Deel<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-3 -3 30 30\" focusable=\"false\" aria-hidden=\"true\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M19 16c1.675 0 3 1.35 3 3 0 1.675-1.325 3-3 3a2.97 2.97 0 0 1-2.975-3c0-.125 0-.275.025-.375L7.1 14.15a2.9 2.9 0 0 1-2.075.825C3.325 14.975 2 13.65 2 12a3.004 3.004 0 0 1 3.025-3.025c.775 0 1.5.35 2.075.875l8.95-4.475c-.025-.1-.025-.225-.025-.4A2.966 2.966 0 0 1 19 2c1.675 0 3 1.325 3 2.975C22 6.65 20.675 8 19 8c-.8 0-1.475-.325-2.05-.825l-8.975 4.45C8 11.7 8 11.825 8 12s0 .3-.025.375l8.975 4.45c.575-.5 1.25-.825 2.05-.825m0-12.8c-.975 0-1.8.775-1.8 1.775S18.025 6.8 19 6.8c1 0 1.825-.825 1.825-1.825S20 3.2 19 3.2m0 17.6c1 0 1.825-.825 1.825-1.8 0-1-.825-1.8-1.825-1.8-.975 0-1.8.8-1.8 1.8 0 .975.825 1.8 1.8 1.8\"\/><\/svg><\/a><\/gu-island><\/footer>\n<\/article>\n<aside class=\"ad-slot-container ad-slot-desktop dcr-jko40v\"\/>\n<article id=\"block-685f1ece8f080e7749712b9e\" class=\"block dcr-1os4bxs\">\n<header class=\"dcr-88va8u\">\n<h2 class=\"dcr-1wl2b6o\">Four Tet Review<\/h2>\n<div class=\"dcr-dzkvsd\">\n<div class=\"dcr-uae6pk\"><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/uploads\/2019\/08\/08\/Ammar_Kalia.png?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7d475fb8a3d48e776369ce8dd751dfc1\" alt=\"Ammar Kalia\" class=\"dcr-lysqes\"\/><\/div>\n<p><span class=\"dcr-sa35sa\">Ammar Kalia<\/span><\/div>\n<\/header>\n<p class=\"dcr-16w5gq9\">De vier Tet Renaissance is goed en echt aan de gang. Van zijn 2023 ge\u00efmproviseerde Coachella Headline Set met Skrildex en Fred opnieuw tot de altijd aanwezige van zijn Speed \u200b\u200bGarage Track kijkend naar je pager op dansvloeren gedurende 2024 en daarna, heeft Kieran Hebden momenteel zijn (tweede) moment.<\/p>\n<p class=\"dcr-16w5gq9\">Voor degenen die misschien een vier tet -DJ tien jaar geleden hebben gezien, zal zijn vrijdagavond headline slot in de Woodsies -tent een verrassing zijn. Voorbij zijn de ambient-lacent opbouw en lange mixdowns in mid-tempo huis, in plaats daarvan opent Hebden nu nu met het melodieuze huis en gaat alleen verder de energie van daaruit op gang te brengen. Balearische melodie\u00ebn maken plaats voor de buitvormige bas van de baby van 2020 en zijn skittering Fred Again Remix voordat ze in humeurige breakbeats en vier-op-de-vloer ritme glijden.<\/p>\n<p class=\"dcr-16w5gq9\">Hebden&#8217;s mix is \u200b\u200bbrandschoon en naadloos en bereikt piektijd euforie een uur in met een snelle snijd in uptempo -bewerkingen die verwijzen naar de twinkelende melodie\u00ebn van zijn doorbraakrondes uit 2003. Vanaf hier breekt hij los voor een laatste kwartaal, en zweert van huiverende grime-instrumentals naar bass-aangedreven twee stappen. Het is een kort maar lief einde, waaruit blijkt dat het nieuw energieke vier TET -tijdperk van Hebden diep boeiend en verleidelijk is &#8211; als hij maar het dubbele had, konden we echt zien waartoe hij nu in staat is.<\/p>\n<footer class=\"dcr-3i7iba\"><gu-island name=\"ShareButton\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;size&quot;:&quot;xsmall&quot;,&quot;pageId&quot;:&quot;music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news&quot;,&quot;blockId&quot;:&quot;685f1ece8f080e7749712b9e&quot;,&quot;webTitle&quot;:&quot;Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3},&quot;context&quot;:&quot;LiveBlock&quot;}\"><a href=\"mailto:?subject=Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&amp;body=https:\/\/www.theguardian.com\/music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news?CMP=share_btn_url&amp;page=with%3Ablock-685f1ece8f080e7749712b9e#block-685f1ece8f080e7749712b9e\" type=\"button\" class=\"dcr-1v00ko5\">Deel<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-3 -3 30 30\" focusable=\"false\" aria-hidden=\"true\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M19 16c1.675 0 3 1.35 3 3 0 1.675-1.325 3-3 3a2.97 2.97 0 0 1-2.975-3c0-.125 0-.275.025-.375L7.1 14.15a2.9 2.9 0 0 1-2.075.825C3.325 14.975 2 13.65 2 12a3.004 3.004 0 0 1 3.025-3.025c.775 0 1.5.35 2.075.875l8.95-4.475c-.025-.1-.025-.225-.025-.4A2.966 2.966 0 0 1 19 2c1.675 0 3 1.325 3 2.975C22 6.65 20.675 8 19 8c-.8 0-1.475-.325-2.05-.825l-8.975 4.45C8 11.7 8 11.825 8 12s0 .3-.025.375l8.975 4.45c.575-.5 1.25-.825 2.05-.825m0-12.8c-.975 0-1.8.775-1.8 1.775S18.025 6.8 19 6.8c1 0 1.825-.825 1.825-1.825S20 3.2 19 3.2m0 17.6c1 0 1.825-.825 1.825-1.8 0-1-.825-1.8-1.825-1.8-.975 0-1.8.8-1.8 1.8 0 .975.825 1.8 1.8 1.8\"\/><\/svg><\/a><\/gu-island><\/footer>\n<\/article>\n<aside class=\"ad-slot-container dcr-jko40v\"\/>\n<article id=\"block-685f1d698f087443bddc7381\" class=\"block dcr-1os4bxs\">\n<header class=\"dcr-88va8u\"\/>\n<p class=\"dcr-16w5gq9\">We zijn in het springkussensgedeelte van de discografie van de 1975. Seks, wat Healy zegt is &#8220;\u00e9\u00e9n voor de jongens&#8221;, wordt gevolgd door Give Yourself Probeer, de meest post-punk van hun liedjes (hoewel vrolijke chirpy post-punk daarbij).<\/p>\n<footer class=\"dcr-3i7iba\"><gu-island name=\"ShareButton\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;size&quot;:&quot;xsmall&quot;,&quot;pageId&quot;:&quot;music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news&quot;,&quot;blockId&quot;:&quot;685f1d698f087443bddc7381&quot;,&quot;webTitle&quot;:&quot;Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3},&quot;context&quot;:&quot;LiveBlock&quot;}\"><a href=\"mailto:?subject=Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&amp;body=https:\/\/www.theguardian.com\/music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news?CMP=share_btn_url&amp;page=with%3Ablock-685f1d698f087443bddc7381#block-685f1d698f087443bddc7381\" type=\"button\" class=\"dcr-1v00ko5\">Deel<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-3 -3 30 30\" focusable=\"false\" aria-hidden=\"true\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M19 16c1.675 0 3 1.35 3 3 0 1.675-1.325 3-3 3a2.97 2.97 0 0 1-2.975-3c0-.125 0-.275.025-.375L7.1 14.15a2.9 2.9 0 0 1-2.075.825C3.325 14.975 2 13.65 2 12a3.004 3.004 0 0 1 3.025-3.025c.775 0 1.5.35 2.075.875l8.95-4.475c-.025-.1-.025-.225-.025-.4A2.966 2.966 0 0 1 19 2c1.675 0 3 1.325 3 2.975C22 6.65 20.675 8 19 8c-.8 0-1.475-.325-2.05-.825l-8.975 4.45C8 11.7 8 11.825 8 12s0 .3-.025.375l8.975 4.45c.575-.5 1.25-.825 2.05-.825m0-12.8c-.975 0-1.8.775-1.8 1.775S18.025 6.8 19 6.8c1 0 1.825-.825 1.825-1.825S20 3.2 19 3.2m0 17.6c1 0 1.825-.825 1.825-1.8 0-1-.825-1.8-1.825-1.8-.975 0-1.8.8-1.8 1.8 0 .975.825 1.8 1.8 1.8\"\/><\/svg><\/a><\/gu-island><\/footer>\n<\/article>\n<article id=\"block-685f1bbb8f087443bddc737e\" class=\"block dcr-1os4bxs\">\n<header class=\"dcr-88va8u\">\n<div class=\"dcr-dzkvsd\">\n<div class=\"dcr-uae6pk\"><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/uploads\/2020\/08\/13\/Nikhita_Chulani.jpg?width=300&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=17cfbc43bea48889061f18f034b467c8\" alt=\"Nikhita Chulani\" class=\"dcr-lysqes\"\/><\/div>\n<p><span class=\"dcr-sa35sa\">Nikhita Chulani<\/span><\/div>\n<\/header>\n<p class=\"dcr-16w5gq9\">Na 25 jaar verwijderd van de Britse stadia, maakte de legendarische Bally Sagoo een daverend debuut op <a href=\"https:\/\/www.theguardian.com\/music\/glastonbury-2025\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\">Glastonbury 2025<\/a> in het Azaadi -podium.<\/p>\n<p class=\"dcr-16w5gq9\">De peetvader van de Zuid -Aziatische DJ -cultuur leverde een masterclass met hoge energie die nostalgie versmolten met progressie &#8211; generaties overbruggen en geen genre ongemoeid achterlaten.<\/p>\n<figure id=\"4ae0f1cd-3999-429e-ae00-7b16ba711bec\" data-spacefinder-role=\"inline\" data-spacefinder-type=\"model.dotcomrendering.pageElements.ImageBlockElement\" class=\"dcr-173mewl\"><figcaption data-spacefinder-role=\"inline\" class=\"dcr-1tx6u99\"><span class=\"dcr-1inf02i\"><svg width=\"18\" height=\"13\" viewbox=\"0 0 18 13\"><path d=\"M18 3.5v8l-1.5 1.5h-15l-1.5-1.5v-8l1.5-1.5h3.5l2-2h4l2 2h3.5l1.5 1.5zm-9 7.5c1.9 0 3.5-1.6 3.5-3.5s-1.6-3.5-3.5-3.5-3.5 1.6-3.5 3.5 1.6 3.5 3.5 3.5z\"\/><\/svg><\/span><span class=\"dcr-1qvd3m6\">Ballly Sagoo in het Azaadi -podium.<\/span> Foto: Nikhita Chulani\/The Guardian<\/figcaption><\/figure>\n<p class=\"dcr-16w5gq9\">Hij draaide moeiteloos tussen zijn iconische Bollywood- en Bhangra -remixes &#8211; Chura Liya en Aaja Nachle &#8211; naast de hedendaagse Britse garage, reggae, R&#038;B, jungle, hiphop, Afro -huis en zelfs een virale Tiktok -baan. De overgangen waren technisch perfect &#8211; en de Azaadi -menigte reageerde met onverbiddelijke energie bij elke druppel en door Dhol ge\u00efnfuseerde baslijn.<\/p>\n<p class=\"dcr-16w5gq9\">Het nieuw genoemde Azaadi -stadium (wat betekent vrijheid in Hindi, Panjabi, Urdu, Bengaals, Perzisch, Pashto en meer) is een Pan -South Aziatische viering van bevrijding &#8211; Sonic, Cultureel en Spiritueel. Andere artiesten daar dit weekend zijn Bobby Friction en Panjabi Hit Squad.<\/p>\n<footer class=\"dcr-3i7iba\"><gu-island name=\"ShareButton\" priority=\"feature\" deferuntil=\"visible\" props=\"{&quot;size&quot;:&quot;xsmall&quot;,&quot;pageId&quot;:&quot;music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news&quot;,&quot;blockId&quot;:&quot;685f1bbb8f087443bddc737e&quot;,&quot;webTitle&quot;:&quot;Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&quot;,&quot;format&quot;:{&quot;design&quot;:12,&quot;display&quot;:0,&quot;theme&quot;:3},&quot;context&quot;:&quot;LiveBlock&quot;}\"><a href=\"mailto:?subject=Glastonbury 2025: Friday with the 1975, Lorde, Busta Rhymes and more \u2013 as it happened&amp;body=https:\/\/www.theguardian.com\/music\/live\/2025\/jun\/27\/friday-glastonbury-festival-cmat-wet-leg-secret-sets-live-latest-updates-news?CMP=share_btn_url&amp;page=with%3Ablock-685f1bbb8f087443bddc737e#block-685f1bbb8f087443bddc737e\" type=\"button\" class=\"dcr-1v00ko5\">Deel<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-3 -3 30 30\" focusable=\"false\" aria-hidden=\"true\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M19 16c1.675 0 3 1.35 3 3 0 1.675-1.325 3-3 3a2.97 2.97 0 0 1-2.975-3c0-.125 0-.275.025-.375L7.1 14.15a2.9 2.9 0 0 1-2.075.825C3.325 14.975 2 13.65 2 12a3.004 3.004 0 0 1 3.025-3.025c.775 0 1.5.35 2.075.875l8.95-4.475c-.025-.1-.025-.225-.025-.4A2.966 2.966 0 0 1 19 2c1.675 0 3 1.325 3 2.975C22 6.65 20.675 8 19 8c-.8 0-1.475-.325-2.05-.825l-8.975 4.45C8 11.7 8 11.825 8 12s0 .3-.025.375l8.975 4.45c.575-.5 1.25-.825 2.05-.825m0-12.8c-.975 0-1.8.775-1.8 1.775S18.025 6.8 19 6.8c1 0 1.825-.825 1.825-1.825S20 3.2 19 3.2m0 17.6c1 0 1.825-.825 1.825-1.8 0-1-.825-1.8-1.825-1.8-.975 0-1.8.8-1.8 1.8 0 .975.825 1.8 1.8 1.8\"\/><\/svg><\/a><\/gu-island><\/p>\n<p>Bijgewerkt op <time datetime=\"2025-06-27T22:45:13.000Z\" data-locale=\"en-us\" title=\"Friday, June 27, 2025 at 06:45 PM Eastern Daylight Time\">18.45 EDT<\/time><\/p>\n<\/footer>\n<\/article>\n<p><gu-island name=\"LiveBlogEpic\" priority=\"feature\" deferuntil=\"idle\" props=\"{&quot;sectionId&quot;:&quot;music&quot;,&quot;shouldHideReaderRevenue&quot;:false,&quot;tags&quot;:({&quot;id&quot;:&quot;music\/glastonbury-2025&quot;,&quot;type&quot;:&quot;Keyword&quot;,&quot;title&quot;:&quot;Glastonbury 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Het is een actievolle eerste dag op de waardige boerderij geweest en morgen lijkt het nog groter te zijn. Zie je helder en vroeg! Deel Bijgewerkt op 20.47 EDT Glasto houdt van een A-lister &hellip;<\/p>\n","protected":false},"author":32,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[148],"tags":[],"_links":{"self":[{"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/posts\/118361"}],"collection":[{"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/comments?post=118361"}],"version-history":[{"count":0,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/posts\/118361\/revisions"}],"wp:attachment":[{"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/media?parent=118361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/categories?post=118361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/tags?post=118361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}