{"id":9661,"date":"2023-10-06T11:02:31","date_gmt":"2023-10-06T11:02:31","guid":{"rendered":"https:\/\/www.irakezen.nl\/du\/?p=9661"},"modified":"2023-10-08T11:05:50","modified_gmt":"2023-10-08T11:05:50","slug":"khalid-mohamed-ali-nahda-ensemble-concert-7-oct-23-2030","status":"publish","type":"post","link":"https:\/\/irakezen.nl\/du\/khalid-mohamed-ali-nahda-ensemble-concert-7-oct-23-2030\/","title":{"rendered":"\u2018Khalid Mohamed Ali & Nah\u2019da Ensemble\u2019 Concert – 7 Oct.’23 – 20:30"},"content":{"rendered":"

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De Iraakse Khalid Mohamed Ali is een van de belangrijkste componisten en oud-speler in de Arabische wereld. Zijn uiterst verfijnde spel combineert grote behendigheid, kennis van het Iraakse en Arabische klassieke repertoire, een moderne aanpak en een beheersing van improvisatie. Bij Bozar nodigt de eminente oud-speler de muzikanten van het Nahda Ensemble uit om zijn nieuwe composities te spelen: muziek op het kruispunt van verschillende invloeden, gevoed door de Arabische, Arabisch-Andalusische en Turkse muzikale tradities.<\/p>\n<\/div>\n<\/div>\n

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Khalid Mohamed Ali<\/div>\n<\/article>\n<\/div>\n
artistic director\u00a0,\u00a0composer\u00a0,\u00a0oud<\/div>\n<\/div>\n
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Mohamed-Amine El Korchi<\/div>\n<\/article>\n<\/div>\n
qanun<\/div>\n<\/div>\n
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Marwan Fakir<\/div>\n<\/article>\n<\/div>\n
violin<\/div>\n<\/div>\n
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L\u00e9a Besan\u00e7on<\/div>\n<\/article>\n<\/div>\n
cello<\/div>\n<\/div>\n
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Aykut Dur\u015fen<\/div>\n<\/article>\n<\/div>\n
double-bass<\/div>\n<\/div>\n
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Ahmed Khaili<\/div>\n<\/article>\n<\/div>\n
percussion<\/div>\n<\/div>\n
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20:30<\/div>\n
–<\/div>\n
21:40<\/div>\n
Programme<\/div>\n<\/div>\n
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Khalid Mohamed Ali<\/div>\n<\/article>\n<\/div>\n

Shahrayars’ Nights – Bashrav Hejaz<\/p>\n<\/div>\n<\/article>\n

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Taksim Bayat oud<\/p>\n<\/div>\n<\/article>\n

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Khalid Mohamed Ali<\/div>\n<\/article>\n
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Aykut Dur\u015fen<\/div>\n<\/article>\n<\/div>\n

Baghdad nights – Samaee Bayat<\/p>\n<\/div>\n<\/article>\n

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Ahmed Khaili<\/div>\n<\/article>\n
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Aykut Dur\u015fen<\/div>\n<\/article>\n<\/div>\n

Taksim Rast percussion \/ double bass<\/p>\n<\/div>\n<\/article>\n

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Khalid Mohamed Ali<\/div>\n<\/article>\n<\/div>\n

Voyage to Tunisia<\/p>\n<\/div>\n<\/article>\n

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L\u00e9a Besan\u00e7on<\/div>\n<\/article>\n<\/div>\n

Taksim Oushayran Kurd Cello<\/p>\n<\/div>\n<\/article>\n

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Khalid Mohamed Ali<\/div>\n<\/article>\n<\/div>\n

Escaped Eyes – Samaee Oushayran Kurd<\/p>\n<\/div>\n<\/article>\n

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Tango<\/p>\n<\/div>\n<\/article>\n

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Ayame Zamane<\/p>\n<\/div>\n<\/article>\n

<\/div>\n<\/div>\n
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21:40<\/div>\n
–<\/div>\n
22:00<\/div>\n
Intermission<\/div>\n<\/div>\n
<\/div>\n<\/div>\n
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22:00<\/div>\n
–<\/div>\n
23:00<\/div>\n
Programme<\/div>\n<\/div>\n
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Marwan Fakir<\/div>\n<\/article>\n<\/div>\n

Taksim Lami violin<\/p>\n<\/div>\n<\/article>\n

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Khalid Mohamed Ali<\/div>\n<\/article>\n<\/div>\n

Dijlah Shores – Samaee Lami<\/p>\n<\/div>\n<\/article>\n

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Khalid Mohamed Ali<\/div>\n<\/article>\n<\/div>\n

Uskudara Music<\/p>\n<\/div>\n<\/article>\n

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Mohamed-Amine El Korchi<\/div>\n<\/article>\n<\/div>\n

Taksim Iraq qanun<\/p>\n<\/div>\n<\/article>\n

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Khalid Mohamed Ali<\/div>\n<\/article>\n<\/div>\n

Longing time – Samaee Iraq<\/p>\n<\/div>\n<\/article>\n

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Khalid Mohamed Ali<\/div>\n<\/article>\n<\/div>\n

Tanburi Cemil Bey<\/p>\n<\/div>\n<\/article>\n

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Tanburi Jamil Bey<\/div>\n<\/article>\n<\/div>\n

Cecen-Kizi<\/p>\n<\/div>\n<\/article>\n

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Khalid Mohamed Ali<\/div>\n<\/article>\n<\/div>\n

Taksim Nahawand oud<\/p>\n<\/div>\n<\/article>\n

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Mohamed-Amine El Korchi<\/div>\n<\/article>\n<\/div>\n

Tribute To My Mother – Samaee Nahawand<\/p>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

  De Iraakse Khalid Mohamed Ali is een van de belangrijkste componisten en oud-speler in de Arabische wereld. Zijn uiterst verfijnde spel combineert grote behendigheid, kennis van het Iraakse en Arabische klassieke repertoire, een moderne aanpak en een beheersing van improvisatie. Bij Bozar nodigt de eminente oud-speler de muzikanten van het Nahda Ensemble uit om …<\/p>\n","protected":false},"author":1,"featured_media":9662,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[145],"tags":[],"_links":{"self":[{"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/posts\/9661"}],"collection":[{"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/comments?post=9661"}],"version-history":[{"count":1,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/posts\/9661\/revisions"}],"predecessor-version":[{"id":9663,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/posts\/9661\/revisions\/9663"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/media\/9662"}],"wp:attachment":[{"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/media?parent=9661"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/categories?post=9661"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/irakezen.nl\/du\/wp-json\/wp\/v2\/tags?post=9661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}